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Seite 39
H. J. Jennings ( review date December 1892 ) stroke , however , as the actor fails not to show by many a subtle touch , that Lear is desirous to take up the burden of the cursing of Goneril . All through the scene the way madness lies ...
H. J. Jennings ( review date December 1892 ) stroke , however , as the actor fails not to show by many a subtle touch , that Lear is desirous to take up the burden of the cursing of Goneril . All through the scene the way madness lies ...
Seite 157
What we wanted was for the actor to create the mise en scène as it was creating him . The atmosphere dictated the possibilities ; the actors , struggling against the storm , became it . The process of hallucination culminated in the ...
What we wanted was for the actor to create the mise en scène as it was creating him . The atmosphere dictated the possibilities ; the actors , struggling against the storm , became it . The process of hallucination culminated in the ...
Seite 250
No actor , or none at least with whose style we ourselves happen to be familiar , has ever delivered soliloquies in this manner before ; no actor , one feels , but Mr. Irving would dare so to deliver them , with so supreme a defiance of ...
No actor , or none at least with whose style we ourselves happen to be familiar , has ever delivered soliloquies in this manner before ; no actor , one feels , but Mr. Irving would dare so to deliver them , with so supreme a defiance of ...
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Inhalt
King Lear | 1 |
Othello | 179 |
Romeo and Juliet | 374 |
Urheberrecht | |
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action actor admirable appeared audience beauty becomes beginning Booth Brook called Cassio century character comes conception Cordelia critic daughters death Desdemona directed Edgar effect Elizabethan Emilia emotion English expression eyes face feel final Fool force Garrick give given Gloucester Goneril hand heart human Iago imagination interpretation Irving John Juliet Kean kind King Lear lack lago later Lear's less light lines London look manner meaning mind Miss Moor moving nature never night notes once opening original Othello passion performance perhaps person physical play present production reading reason remarks role Romeo Salvini scene seems seen sense Shakespeare speak speech stage storm success suggested Theatre thing thought tion tragedy tragic turn voice whole
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 11 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Verlag | Gale Research Company, 1984 |
| ISBN | 0810361353, 9780810361355 |
| Zitat exportieren | BiBTeX EndNote RefMan |