Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 11Gale Research Company, 1984 |
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Seite 39
... actor fails not to show by many a sub- tle touch , that Lear is desirous to take up the burden of the cursing of Goneril . All through the scene the way madness lies is laid bare , and we see the complex process by which rea- son is ...
... actor fails not to show by many a sub- tle touch , that Lear is desirous to take up the burden of the cursing of Goneril . All through the scene the way madness lies is laid bare , and we see the complex process by which rea- son is ...
Seite 43
... actor's effort may baulk his interpretation . Besides , an actor- manager is for the nonce - and what a nonce the first night of a great play in the capital is ! —the poet , the maker , the di- rector , the anxious continuous critic of ...
... actor's effort may baulk his interpretation . Besides , an actor- manager is for the nonce - and what a nonce the first night of a great play in the capital is ! —the poet , the maker , the di- rector , the anxious continuous critic of ...
Seite 157
... actor . What we wanted was for the actor to create the mise en scène as it was creating him . The atmosphere dictated the possibilities ; the actors , struggling against the storm , became it . The process of hallu- cination culminated ...
... actor . What we wanted was for the actor to create the mise en scène as it was creating him . The atmosphere dictated the possibilities ; the actors , struggling against the storm , became it . The process of hallu- cination culminated ...
Inhalt
King Lear | 1 |
Othello | 179 |
Romeo and Juliet | 374 |
Urheberrecht | |
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action actor admirable appeared audience Barry beauty Booth Brabantio Brook Cassio century character Cibber conception Cordelia costumes critic curtain daughters David Garrick Desdemona Donald Wolfit dramatic Drury Lane Edgar Edmund Edmund Kean Edwin Booth effect Elizabethan Emilia emotional essay date expression eyes feel Fool Forrest Garrick gesture give Gloucester Goneril heart Henry Irving Iago Iago's imagination interpretation Irving Irving's jealousy John Gielgud Kean Kean's Kemble Kent King Lear Lear's lines London look Macready mance ment mind Miss Moor nature never night noble Old Vic Olivier Olivier's Othello passion pathos performance Peter Brook play's players portrayal rage Regan review date Robeson Roderigo role Romeo and Juliet Salvini scene Scofield seems sense Shake Shakespeare speak speech stage storm Stratford suggested Theatre theatrical thing thou thought tion Tommaso Salvini tone tragedy tragic voice whole Wolfit words