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Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current ... Review of a production staged by the Oregon Shakespeare Festival in Ashland , directed by Sanford Robbins ...
Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current ... Review of a production staged by the Oregon Shakespeare Festival in Ashland , directed by Sanford Robbins ...
Seite 372
Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations. Othellos , including Talma , Edmund Kean , Charles Kemble , Charles Macready , Joanny , and Tommaso ...
Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations. Othellos , including Talma , Edmund Kean , Charles Kemble , Charles Macready , Joanny , and Tommaso ...
Seite 528
Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations. Mullin , Michael . Theatre at Stratford - upon - Avon . Westport , Conn .
Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations. Mullin , Michael . Theatre at Stratford - upon - Avon . Westport , Conn .
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Inhalt
King Lear | 1 |
Othello | 179 |
Romeo and Juliet | 374 |
Urheberrecht | |
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action actor admirable appeared audience beauty becomes beginning Booth Brook called Cassio century character comes conception Cordelia critic daughters death Desdemona directed Edgar effect Elizabethan Emilia emotion English expression eyes face feel final Fool force Garrick give given Gloucester Goneril hand heart human Iago imagination interpretation Irving John Juliet Kean kind King Lear lack lago later Lear's less light lines London look manner meaning mind Miss Moor moving nature never night notes once opening original Othello passion performance perhaps person physical play present production reading reason remarks role Romeo Salvini scene seems seen sense Shakespeare speak speech stage storm success suggested Theatre thing thought tion tragedy tragic turn voice whole