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Seite 233
Salvini had no mannerisms . His stature and form , indeed , made disguise almost impossible , but his characters presented wide distinctions in gait , gesture , carriage , and manners . His versatility was astonishing .
Salvini had no mannerisms . His stature and form , indeed , made disguise almost impossible , but his characters presented wide distinctions in gait , gesture , carriage , and manners . His versatility was astonishing .
Seite 237
In his next long speech , Salvini began to add gesture and movement to his already formidable skill in facial expression and voice modulation . The wooing of Desdemona was recounted with the accompaniment of gestures of a particularly ...
In his next long speech , Salvini began to add gesture and movement to his already formidable skill in facial expression and voice modulation . The wooing of Desdemona was recounted with the accompaniment of gestures of a particularly ...
Seite 238
211-13 ] and that it was indeed the lieutenant , Salvini gave lago a nod and smile as if to say “ You see , I was right . ” He then sat at a table and began to write , giving Desdemona occasional smiles and half - mechanical answers ...
211-13 ] and that it was indeed the lieutenant , Salvini gave lago a nod and smile as if to say “ You see , I was right . ” He then sat at a table and began to write , giving Desdemona occasional smiles and half - mechanical answers ...
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Inhalt
King Lear | 1 |
Othello | 179 |
Romeo and Juliet | 374 |
Urheberrecht | |
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action actor admirable appeared audience beauty becomes beginning Booth Brook called Cassio century character comes conception Cordelia critic daughters death Desdemona directed Edgar effect Elizabethan Emilia emotion English expression eyes face feel final Fool force Garrick give given Gloucester Goneril hand heart human Iago imagination interpretation Irving John Juliet Kean kind King Lear lack lago later Lear's less light lines London look manner meaning mind Miss Moor moving nature never night notes once opening original Othello passion performance perhaps person physical play present production reading reason remarks role Romeo Salvini scene seems seen sense Shakespeare speak speech stage storm success suggested Theatre thing thought tion tragedy tragic turn voice whole
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 11 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Mitwirkende Personen | Gale Research Company |
| Verlag | Gale Research Company, 1984 |
| ISBN | 0810361353, 9780810361355 |
| Zitat exportieren | BiBTeX EndNote RefMan |