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Seite 195
360 ) ; yet Mr. Kean , with singular disregard of the text , steals back while Cassio is talking with Lodovico , takes from the bed of Desdemona the dagger with which he had killed her : -a most improbable and unnatural supposition and ...
360 ) ; yet Mr. Kean , with singular disregard of the text , steals back while Cassio is talking with Lodovico , takes from the bed of Desdemona the dagger with which he had killed her : -a most improbable and unnatural supposition and ...
Seite 204
It is perfect Kean ! followed by a dangerous rush and struggle for admission " ( Literary Gazette , 22 February 1817 ) . It was a house crammed “ to the very ceiling . ” The presence of “ several of the Nobility ” was noticed ...
It is perfect Kean ! followed by a dangerous rush and struggle for admission " ( Literary Gazette , 22 February 1817 ) . It was a house crammed “ to the very ceiling . ” The presence of “ several of the Nobility ” was noticed ...
Seite 251
But the same critic , surely no ungenerous or cold one to Kean , complains that he was all passion and energy , “ too uniformly on the verge of extravagance , too constantly on the rack . ” And he goes on , “ This does very well in ...
But the same critic , surely no ungenerous or cold one to Kean , complains that he was all passion and energy , “ too uniformly on the verge of extravagance , too constantly on the rack . ” And he goes on , “ This does very well in ...
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Inhalt
King Lear | 1 |
Othello | 179 |
Romeo and Juliet | 374 |
Urheberrecht | |
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action actor admirable appeared audience beauty becomes beginning Booth Brook called Cassio century character comes conception Cordelia critic daughters death Desdemona directed Edgar effect Elizabethan Emilia emotion English expression eyes face feel final Fool force Garrick give given Gloucester Goneril hand heart human Iago imagination interpretation Irving John Juliet Kean kind King Lear lack lago later Lear's less light lines London look manner meaning mind Miss Moor moving nature never night notes once opening original Othello passion performance perhaps person physical play present production reading reason remarks role Romeo Salvini scene seems seen sense Shakespeare speak speech stage storm success suggested Theatre thing thought tion tragedy tragic turn voice whole
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 11 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Mitwirkende Personen | Gale Research Company |
| Verlag | Gale Research Company, 1984 |
| ISBN | 0810361353, 9780810361355 |
| Zitat exportieren | BiBTeX EndNote RefMan |