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Seite 221
93-5 ) Now Iago perfectly well knew this , for he had heard Desdemona say so just the minute before . matic art is subordinated to serve theatrical effect . That Othello should be seated over his papers , and should reply to Iago's ...
93-5 ) Now Iago perfectly well knew this , for he had heard Desdemona say so just the minute before . matic art is subordinated to serve theatrical effect . That Othello should be seated over his papers , and should reply to Iago's ...
Seite 238
After Othello had written for a moment , Iago spoke , and Othello paused , irritated at being again interrupted . This note of irritation he continued until lago's laconic “ indeed . ” Salvini repeated the “ indeed ” ironically ...
After Othello had written for a moment , Iago spoke , and Othello paused , irritated at being again interrupted . This note of irritation he continued until lago's laconic “ indeed . ” Salvini repeated the “ indeed ” ironically ...
Seite 340
Just before Cassio's exit ( R ) Othello and Iago enter on the forestage down L. This entry with lago tends to impregnate stage - left with suggestion of Iago and render it slightly hostile to Desdemona , who will throughout exit and re ...
Just before Cassio's exit ( R ) Othello and Iago enter on the forestage down L. This entry with lago tends to impregnate stage - left with suggestion of Iago and render it slightly hostile to Desdemona , who will throughout exit and re ...
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Inhalt
King Lear | 1 |
Othello | 179 |
Romeo and Juliet | 374 |
Urheberrecht | |
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action actor admirable appeared audience beauty becomes beginning Booth Brook called Cassio century character comes conception Cordelia critic daughters death Desdemona directed Edgar effect Elizabethan Emilia emotion English expression eyes face feel final Fool force Garrick give given Gloucester Goneril hand heart human Iago imagination interpretation Irving John Juliet Kean kind King Lear lack lago later Lear's less light lines London look manner meaning mind Miss Moor moving nature never night notes once opening original Othello passion performance perhaps person physical play present production reading reason remarks role Romeo Salvini scene seems seen sense Shakespeare speak speech stage storm success suggested Theatre thing thought tion tragedy tragic turn voice whole
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 11 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Mitwirkende Personen | Gale Research Company |
| Verlag | Gale Research Company, 1984 |
| ISBN | 0810361353, 9780810361355 |
| Zitat exportieren | BiBTeX EndNote RefMan |