Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 11Gale Research Company, 1984 |
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Seite 221
... Iago's artful suggestions . Let us hear Shakespeare . Othello and Iago enter as Cassio takes leave of Desdemona ... Iago's re- marks ; very naturally , his bearing towards his wife reveals that uneasiness . A vague feeling , which he ...
... Iago's artful suggestions . Let us hear Shakespeare . Othello and Iago enter as Cassio takes leave of Desdemona ... Iago's re- marks ; very naturally , his bearing towards his wife reveals that uneasiness . A vague feeling , which he ...
Seite 238
... Iago's " Think my lord " caused Othello his first clear uneasi- ness . He threw down his pen and crossed to Iago to say " Thou dost mean something " [ III . iii . 108 ] . His whole atten- tion was now riveted on penetrating Iago's ...
... Iago's " Think my lord " caused Othello his first clear uneasi- ness . He threw down his pen and crossed to Iago to say " Thou dost mean something " [ III . iii . 108 ] . His whole atten- tion was now riveted on penetrating Iago's ...
Seite 310
... Iago . Shortly thereafter the rivalry between courtier and campaign- er is again brought to the fore when Cassio observes of Iago's graceless chat with the ladies , " you may relish him more in the soldier than the scholar " [ II . i ...
... Iago . Shortly thereafter the rivalry between courtier and campaign- er is again brought to the fore when Cassio observes of Iago's graceless chat with the ladies , " you may relish him more in the soldier than the scholar " [ II . i ...
Inhalt
King Lear | 1 |
Othello | 179 |
Romeo and Juliet | 374 |
Urheberrecht | |
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action actor admirable appeared audience Barry beauty Booth Brabantio Brook Cassio century character Cibber conception Cordelia costumes critic curtain daughters David Garrick Desdemona Donald Wolfit dramatic Drury Lane Edgar Edmund Edmund Kean Edwin Booth effect Elizabethan Emilia emotional essay date expression eyes feel Fool Forrest Garrick gesture give Gloucester Goneril heart Henry Irving Iago Iago's imagination interpretation Irving Irving's jealousy John Gielgud Kean Kean's Kemble Kent King Lear Lear's lines London look Macready mance ment mind Miss Moor nature never night noble Old Vic Olivier Olivier's Othello passion pathos performance Peter Brook play's players portrayal rage Regan review date Robeson Roderigo role Romeo and Juliet Salvini scene Scofield seems sense Shake Shakespeare speak speech stage storm Stratford suggested Theatre theatrical thing thou thought tion Tommaso Salvini tone tragedy tragic voice whole Wolfit words