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Seite 85
weak : Goneril wears the boots and Regan wears the skirt . Goneril's masculinity continually fires Regan whose squelchy softness of core is very opposed to the steely hardness of her sister . This relationship develops very ...
weak : Goneril wears the boots and Regan wears the skirt . Goneril's masculinity continually fires Regan whose squelchy softness of core is very opposed to the steely hardness of her sister . This relationship develops very ...
Seite 96
Lear was made to behave in a way which justified Goneril's complaints , as if these were not false . Lear and his knights were even shown rioting in the hall of her castle , and their general behavior to her and her servants ...
Lear was made to behave in a way which justified Goneril's complaints , as if these were not false . Lear and his knights were even shown rioting in the hall of her castle , and their general behavior to her and her servants ...
Seite 133
57-77 ) , Albany's significant unawareness of what Goneril is complaining about , and Lear's explicit description of his knights : My train are men of choice and rarest parts , That all particulars of duty know , And in the most exact ...
57-77 ) , Albany's significant unawareness of what Goneril is complaining about , and Lear's explicit description of his knights : My train are men of choice and rarest parts , That all particulars of duty know , And in the most exact ...
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Inhalt
King Lear | 1 |
Othello | 179 |
Romeo and Juliet | 374 |
Urheberrecht | |
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action actor admirable appeared audience beauty becomes beginning Booth Brook called Cassio century character comes conception Cordelia critic daughters death Desdemona directed Edgar effect Elizabethan Emilia emotion English expression eyes face feel final Fool force Garrick give given Gloucester Goneril hand heart human Iago imagination interpretation Irving John Juliet Kean kind King Lear lack lago later Lear's less light lines London look manner meaning mind Miss Moor moving nature never night notes once opening original Othello passion performance perhaps person physical play present production reading reason remarks role Romeo Salvini scene seems seen sense Shakespeare speak speech stage storm success suggested Theatre thing thought tion tragedy tragic turn voice whole
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 11 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Mitwirkende Personen | Gale Research Company |
| Verlag | Gale Research Company, 1984 |
| ISBN | 0810361353, 9780810361355 |
| Zitat exportieren | BiBTeX EndNote RefMan |