Im Buch
Ergebnisse 1-3 von 85
Seite 181
According to Joseph Knight , the drama critic for the Athenaeum during the late nineteenth century , Booth's failure represented a whole generation of English - speaking actors who inadequately rendered " romantic , imaginative , and ...
According to Joseph Knight , the drama critic for the Athenaeum during the late nineteenth century , Booth's failure represented a whole generation of English - speaking actors who inadequately rendered " romantic , imaginative , and ...
Seite 227
But in the finest English rendering of Shakespeare that we can conceive , or are likely to enjoy , there would be gaps and elisions enough , and Salvini's noble execution preserves much more than it misses .
But in the finest English rendering of Shakespeare that we can conceive , or are likely to enjoy , there would be gaps and elisions enough , and Salvini's noble execution preserves much more than it misses .
Seite 416
The English could no longer safely indulge in feelings of cultural superiority in the art of acting . They could and would , of course , continue to congratulate themselves on their superior judgment . In 1851 a Londoner could still ...
The English could no longer safely indulge in feelings of cultural superiority in the art of acting . They could and would , of course , continue to congratulate themselves on their superior judgment . In 1851 a Londoner could still ...
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
King Lear | 1 |
Othello | 179 |
Romeo and Juliet | 374 |
Urheberrecht | |
3 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action actor admirable appeared audience beauty becomes beginning Booth Brook called Cassio century character comes conception Cordelia critic daughters death Desdemona directed Edgar effect Elizabethan Emilia emotion English expression eyes face feel final Fool force Garrick give given Gloucester Goneril hand heart human Iago imagination interpretation Irving John Juliet Kean kind King Lear lack lago later Lear's less light lines London look manner meaning mind Miss Moor moving nature never night notes once opening original Othello passion performance perhaps person physical play present production reading reason remarks role Romeo Salvini scene seems seen sense Shakespeare speak speech stage storm success suggested Theatre thing thought tion tragedy tragic turn voice whole