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Seite 240
234 , 238-40 ) The final act began with the scene between Emilia and Desdemona which makes up most of the traditional act 4 , scene 3 , including Desdemona's Willow Song . In Salvini's version this scene flowed directly into act 5 ...
234 , 238-40 ) The final act began with the scene between Emilia and Desdemona which makes up most of the traditional act 4 , scene 3 , including Desdemona's Willow Song . In Salvini's version this scene flowed directly into act 5 ...
Seite 338
Emilia My husband ! Othello Thy husband . Emilia That she was false to wedlock ? Othello Ay , with Cassio . Nay , had she been true , If heaven would make me such another world Of one entire and perfect chrysolite , I'd not have sold ...
Emilia My husband ! Othello Thy husband . Emilia That she was false to wedlock ? Othello Ay , with Cassio . Nay , had she been true , If heaven would make me such another world Of one entire and perfect chrysolite , I'd not have sold ...
Seite 355
Othello draws “ the curtains ” —presumably those on the bed — before opening the door for Emilia ( 1. 104 ) . Their dialogue about the attempt on Cassio's life takes much of its dramatic tension from the fact that these curtains are ...
Othello draws “ the curtains ” —presumably those on the bed — before opening the door for Emilia ( 1. 104 ) . Their dialogue about the attempt on Cassio's life takes much of its dramatic tension from the fact that these curtains are ...
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Inhalt
King Lear | 1 |
Othello | 179 |
Romeo and Juliet | 374 |
Urheberrecht | |
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action actor admirable appeared audience beauty becomes beginning Booth Brook called Cassio century character comes conception Cordelia critic daughters death Desdemona directed Edgar effect Elizabethan Emilia emotion English expression eyes face feel final Fool force Garrick give given Gloucester Goneril hand heart human Iago imagination interpretation Irving John Juliet Kean kind King Lear lack lago later Lear's less light lines London look manner meaning mind Miss Moor moving nature never night notes once opening original Othello passion performance perhaps person physical play present production reading reason remarks role Romeo Salvini scene seems seen sense Shakespeare speak speech stage storm success suggested Theatre thing thought tion tragedy tragic turn voice whole
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 11 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Mitwirkende Personen | Gale Research Company |
| Verlag | Gale Research Company, 1984 |
| ISBN | 0810361353, 9780810361355 |
| Zitat exportieren | BiBTeX EndNote RefMan |