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Seite 79
Brook confessed that he too had been preoccupied with the problem of Edgar but would not accept the theory that it was simply a fault which one could write down to Shakespeare . He believed the play had such a hard inner consistency ...
Brook confessed that he too had been preoccupied with the problem of Edgar but would not accept the theory that it was simply a fault which one could write down to Shakespeare . He believed the play had such a hard inner consistency ...
Seite 80
Edgar , on the other hand , suffers from a kind of inner stiffness which makes the physical change to Poor Tom an even greater problem than it is textually . Brook asked me to devise some improvisations that might treat both problems .
Edgar , on the other hand , suffers from a kind of inner stiffness which makes the physical change to Poor Tom an even greater problem than it is textually . Brook asked me to devise some improvisations that might treat both problems .
Seite 118
Smith , on the revival of Lear by Tate , represented Edgar ; but , on his death , in 1695 , it was given to Powell . Wilks excelled in the scenes of love and gallantry , nor was he deficient in the assumed madness , of Edgar .
Smith , on the revival of Lear by Tate , represented Edgar ; but , on his death , in 1695 , it was given to Powell . Wilks excelled in the scenes of love and gallantry , nor was he deficient in the assumed madness , of Edgar .
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Inhalt
King Lear | 1 |
Othello | 179 |
Romeo and Juliet | 374 |
Urheberrecht | |
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action actor admirable appeared audience beauty becomes beginning Booth Brook called Cassio century character comes conception Cordelia critic daughters death Desdemona directed Edgar effect Elizabethan Emilia emotion English expression eyes face feel final Fool force Garrick give given Gloucester Goneril hand heart human Iago imagination interpretation Irving John Juliet Kean kind King Lear lack lago later Lear's less light lines London look manner meaning mind Miss Moor moving nature never night notes once opening original Othello passion performance perhaps person physical play present production reading reason remarks role Romeo Salvini scene seems seen sense Shakespeare speak speech stage storm success suggested Theatre thing thought tion tragedy tragic turn voice whole
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 11 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Mitwirkende Personen | Gale Research Company |
| Verlag | Gale Research Company, 1984 |
| ISBN | 0810361353, 9780810361355 |
| Zitat exportieren | BiBTeX EndNote RefMan |