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Seite 214
The promptbook shows that it was Act IV in which Forrest began the process of subordinating Desdemona's part noticeably . Five lines were cut in the second scene in which she complains to lago of Othello's ungentle treatment of her ...
The promptbook shows that it was Act IV in which Forrest began the process of subordinating Desdemona's part noticeably . Five lines were cut in the second scene in which she complains to lago of Othello's ungentle treatment of her ...
Seite 237
The wooing of Desdemona was recounted with the accompaniment of gestures of a particularly illustrative kind . For " antres vast and deserts idle " he spread his arms with a sweeping gesture ; he pointed to the “ hills , whose heads ...
The wooing of Desdemona was recounted with the accompaniment of gestures of a particularly illustrative kind . For " antres vast and deserts idle " he spread his arms with a sweeping gesture ; he pointed to the “ hills , whose heads ...
Seite 240
oblivious of Desdemona's responses and building emotionally to the blow : Othello : Fire and brimstone ! Desdemona : My lord ? Othello : Are you wise ? Now who would say it ? Desdemona : Say what ? Othello : Indeed !
oblivious of Desdemona's responses and building emotionally to the blow : Othello : Fire and brimstone ! Desdemona : My lord ? Othello : Are you wise ? Now who would say it ? Desdemona : Say what ? Othello : Indeed !
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Inhalt
King Lear | 1 |
Othello | 179 |
Romeo and Juliet | 374 |
Urheberrecht | |
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action actor admirable appeared audience beauty becomes beginning Booth Brook called Cassio century character comes conception Cordelia critic daughters death Desdemona directed Edgar effect Elizabethan Emilia emotion English expression eyes face feel final Fool force Garrick give given Gloucester Goneril hand heart human Iago imagination interpretation Irving John Juliet Kean kind King Lear lack lago later Lear's less light lines London look manner meaning mind Miss Moor moving nature never night notes once opening original Othello passion performance perhaps person physical play present production reading reason remarks role Romeo Salvini scene seems seen sense Shakespeare speak speech stage storm success suggested Theatre thing thought tion tragedy tragic turn voice whole
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 11 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Mitwirkende Personen | Gale Research Company |
| Verlag | Gale Research Company, 1984 |
| ISBN | 0810361353, 9780810361355 |
| Zitat exportieren | BiBTeX EndNote RefMan |