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Seite 253
Much else too there is in this presentation one would gladly linger over ; the Desdemona , the Cassio , the Roderigo ... It is through Cassio's mistress that the last proof is supplied ; by her comes the voice denouncing doom to the ...
Much else too there is in this presentation one would gladly linger over ; the Desdemona , the Cassio , the Roderigo ... It is through Cassio's mistress that the last proof is supplied ; by her comes the voice denouncing doom to the ...
Seite 310
Continuing to “ play the sir , ” as lago puts it , Jacobi's Cassio suggests that his kiss of greeting to Emilia is a sign of “ breeding " not likely to be seen in Iago . Shortly thereafter the rivalry between courtier and campaigner is ...
Continuing to “ play the sir , ” as lago puts it , Jacobi's Cassio suggests that his kiss of greeting to Emilia is a sign of “ breeding " not likely to be seen in Iago . Shortly thereafter the rivalry between courtier and campaigner is ...
Seite 339
Observe that Cassio's arrival was not so heralded beforehand . A messenger goes off to enquire of this new arrival , while Cassio tells of Othello's marriage , emphasising Desdemona's excellence . The messenger returns , saying it is ...
Observe that Cassio's arrival was not so heralded beforehand . A messenger goes off to enquire of this new arrival , while Cassio tells of Othello's marriage , emphasising Desdemona's excellence . The messenger returns , saying it is ...
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Inhalt
King Lear | 1 |
Othello | 179 |
Romeo and Juliet | 374 |
Urheberrecht | |
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action actor admirable appeared audience beauty becomes beginning Booth Brook called Cassio century character comes conception Cordelia critic daughters death Desdemona directed Edgar effect Elizabethan Emilia emotion English expression eyes face feel final Fool force Garrick give given Gloucester Goneril hand heart human Iago imagination interpretation Irving John Juliet Kean kind King Lear lack lago later Lear's less light lines London look manner meaning mind Miss Moor moving nature never night notes once opening original Othello passion performance perhaps person physical play present production reading reason remarks role Romeo Salvini scene seems seen sense Shakespeare speak speech stage storm success suggested Theatre thing thought tion tragedy tragic turn voice whole
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 11 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Verlag | Gale Research Company, 1984 |
| ISBN | 0810361353, 9780810361355 |
| Zitat exportieren | BiBTeX EndNote RefMan |