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Many saluted Brook's achievement of an interpretation entirely free of stereotypes and his success in showing the play's relevance to contemporary experience . J. C. Trewin , for example , reported that the production was breathtaking ...
Many saluted Brook's achievement of an interpretation entirely free of stereotypes and his success in showing the play's relevance to contemporary experience . J. C. Trewin , for example , reported that the production was breathtaking ...
Seite 87
20-2 ) Peter Brook and Peter Roberts , in an interview from Plays and Players , Vol . 10 , No. 3 , December , 1962 , ing cold : Endgame is no bleaker . But Lear is the great play of the two because it shows hell on earth , in active ...
20-2 ) Peter Brook and Peter Roberts , in an interview from Plays and Players , Vol . 10 , No. 3 , December , 1962 , ing cold : Endgame is no bleaker . But Lear is the great play of the two because it shows hell on earth , in active ...
Seite 99
ance that is often upset in her favor but that has been upset by Brook to her neglect . Let two details suffice . First , costume . The leather habits do well for most of Brook's production , but when worn by Cordelia they deprive her ...
ance that is often upset in her favor but that has been upset by Brook to her neglect . Let two details suffice . First , costume . The leather habits do well for most of Brook's production , but when worn by Cordelia they deprive her ...
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Inhalt
King Lear | 1 |
Othello | 179 |
Romeo and Juliet | 374 |
Urheberrecht | |
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action actor admirable appeared audience beauty becomes beginning Booth Brook called Cassio century character comes conception Cordelia critic daughters death Desdemona directed Edgar effect Elizabethan Emilia emotion English expression eyes face feel final Fool force Garrick give given Gloucester Goneril hand heart human Iago imagination interpretation Irving John Juliet Kean kind King Lear lack lago later Lear's less light lines London look manner meaning mind Miss Moor moving nature never night notes once opening original Othello passion performance perhaps person physical play present production reading reason remarks role Romeo Salvini scene seems seen sense Shakespeare speak speech stage storm success suggested Theatre thing thought tion tragedy tragic turn voice whole