Le Droit Du Seigneur in European and American Literature: From the Seventeenth Through the Twentieth CenturySumma Publications, 1984 - 164 Seiten |
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Seite 50
... Beaumarchais chose the subject for both these reasons , but it is impossible to say whether or not he genuinely believed in the existence of the droit.149 Beaumarchais set his action in Spain , but only after he had failed to get the ...
... Beaumarchais chose the subject for both these reasons , but it is impossible to say whether or not he genuinely believed in the existence of the droit.149 Beaumarchais set his action in Spain , but only after he had failed to get the ...
Seite 63
... Beaumarchais ' second of a group of three plays about the same principle characters , La folle Journée , ou Le Mariage de Figaro ( 1778 ) , and the famous opera engendered by it , Le Nozze di Figaro ( 1786 ) by Mozart and Da Ponte ( one ...
... Beaumarchais ' second of a group of three plays about the same principle characters , La folle Journée , ou Le Mariage de Figaro ( 1778 ) , and the famous opera engendered by it , Le Nozze di Figaro ( 1786 ) by Mozart and Da Ponte ( one ...
Seite 64
... Beaumarchais ' play ) , De Ponte did a masterly job . He cut Beaumarchais ' cast of sixteen characters down to eleven , telescoped the five acts of the original into four , tightened the more discursive portions of the play , changed ...
... Beaumarchais ' play ) , De Ponte did a masterly job . He cut Beaumarchais ' cast of sixteen characters down to eleven , telescoped the five acts of the original into four , tightened the more discursive portions of the play , changed ...
Inhalt
Chapter II | 23 |
Chapter III | 37 |
Chapter IV | 63 |
Urheberrecht | |
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