Lyric Generations: Poetry and the Novel in the Long Eighteenth CenturyJHU Press, 01.11.2015 - 312 Seiten Eighteenth-century British literary history was long characterized by two central and seemingly discrete movements—the emergence of the novel and the development of Romantic lyric poetry. In fact, recent scholarship reveals that these genres are inextricably bound: constructions of interiority developed in novels changed ideas about what literature could mean and do, encouraging the new focus on private experience and self-perception developed in lyric poetry. In Lyric Generations, Gabrielle Starr rejects the genealogy of lyric poetry in which Romantic poets are thought to have built solely and directly upon the works of Chaucer, Spenser, Shakespeare, and Milton. She argues instead that novelists such as Richardson, Haywood, Behn, and others, while drawing upon earlier lyric conventions, ushered in a new language of self-expression and community which profoundly affected the aesthetic goals of lyric poets. Examining the works of Cowper, Smith, Wordsworth, Coleridge, and Keats in light of their competitive dialogue with the novel, Starr advances a literary history that considers formal characteristics as products of historical change. In a world increasingly defined by prose, poets adapted the new forms, characters, and moral themes of the novel in order to reinvigorate poetic practice. |
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... heart of his ballad. While Clarissa's pleas to her father as his disgraced favorite dear papa. . . . And though I am an unworthy child—yet I am your child''), Emmeline's succeed.∞≤ ''The Child of Elle'' provides a happy and ...
... heart of novel fiction: to tell us how novels are to be read, how their worlds are to be mapped onto ours, whether politically, emotionally, or morally. Indeed, although critics normally associate only the names, historical places ...
... heart of the diction of eighteenthcentury poetry, providing the basis of polite language from which correctness and purity in diction are produced.≥≤ The romantic era, for him, registers the falling away of this base: ''poets ...
... hearts.≤ She seeks consensus—feeling-with, a concord of heart and mind—but as the novel progresses, at moments of emotional intensity, true correspondence seems impossible. Letters fragment and are replaced by relics: the ten papers ...
... Clarissa copies and rereads his lament, finding in it a vocabulary and pattern of expression suiting her own troubled heart. Clarissa writes four ''meditations''; save one, they are transcriptions of biblical 18 Lyric Generations.
Inhalt
1 | |
15 | |
Lyric and Letter in Behn Haywood and Pope | 47 |
Sympathy Displacement and Self into the Midcentury | 72 |
Chiasmus Convention and Lyric | 101 |
5 The Limits of Lyric and the Space of the Novel | 125 |
6 The Novel and the New Lyricism | 159 |
Notes | 203 |
Bibliography | 275 |
Index | 293 |
Andere Ausgaben - Alle anzeigen
Lyric Generations: Poetry and the Novel in the Long Eighteenth Century G. Gabrielle Starr Eingeschränkte Leseprobe - 2015 |
Lyric Generations: Poetry and the Novel in the Long Eighteenth Century G. Gabrielle Starr Eingeschränkte Leseprobe - 2004 |