Her bosom heaved, she stept aside; She fled to me and wept. She half inclosed me with her arms, 'Twas partly love, and partly fear, And partly 'twas a bashful art, That I might rather feel than see The swelling of her heart. I calmed her fears; and she was calm, My bright and beauteous bride! From Frost at Midnight.' Dear babe, that sleepest cradled by my side, And momentary pauses of the thought! Therefore all seasons shall be sweet to thes Or if the secret ministry of frost Shall hang them up in silent icicles, Quietly shining to the quiet moon. Love, Hope, and Patience in Education. O'er wayward childhood wouldst thou hold firm rule, Love, Hope, and Patience, these must be thy graces, Heaven's starry globe, and there sustains it, 20 low Of education-Patience, Love, and Hope. But Love is subtle, and doth proof derive And the soft murmurs of the mother-dove, Woos back the fleeting spit and helplies; Thus Love repays to Hope w. at H pe 1st gave to Love. When overtasked at length, Both Love and Hope beneath the load give way. Youth and Age. Verse, a breeze 'mid blossoms straying, When I was young! When I was young? Ah, woful when! This breathing house not built with This body that does me grievous wrong, When Youth and I lived in 't together. Flowers are lovely; Love is flower-like; O the joys that came down shower-like, Ere I was old? Ah woful Ere, Which tells me, Youth's no longer here! Dewdrops are the gems of morning, That only serves to make us grieve Among the day-dreams of Coleridge, as we have already mentioned, was the hope of producing a great philosophical work, which he conceived would ultimately effect a revolution in what has been called philosophy or metaphysics in England and France. The only complete philosophical attempt of the poet was a slight introduction to the Encyclopædia Metropolitana,' a preliminary treatise on 'Method,' from which we subjoin an extract. Importance of Method. The habit of method should always be present and effective; but in order to render it so, a certain training or education of the mind is indispensably necessary. Event and images, the lively and spirit-stirring machinery of the external world, are li liut, and air, and moisture to the seed of the mind, which would else rot and perish. In all processes of mental tion the objects of the senses must stimulate the mind; and the mind must in n assimilate and digest the food which it thus receives from without. Method, therefore, must result from the due mean or balance between our passive impressions and the mind's reaction on them. So in the healthful state of the human body, waking and sleeping, rest and labour, reciprocally succeed each other, and mutually contribute to liveliness, and activity, and strength. There are certain stores proper, and, as it were, inaigenous to the mind-such as the ideas of number and figure, and the logical forms and combina tions of conception or thought. The mind that is rich and exuberant in this intellectual wealth is apt, like a miser, to dwell upon the vain contemplation of its riches, is disposed to generalize and methodise to excess, ever philosophising, and never descending to action; spreading its wings hi.h in the air above some beloved spot, but never flying far and wide over earth and sea, to seek food, or to enjoy the endless beauties of nature; the fresh morning, and the warm noon, and the dewy eve. On the other hand, still less is to be expected, towards the methodising of science, from the man who flutters about in blindness like the bat; or is carried bither and thither, like the turtle sleeping on the wave, and fancying, because he moves, that he is in progress. It is not solely in the formation of the human understanding, and in the constructions of science and literature, that the employment of method is indispensably necessary; but its importance is equally felt, and equally acknowledged, in the whole business and economy of active and domestic life. From the cottager's hearth or the workshop of the artisan, to the palace or the arsenal, the first meritthat which admits neither substitute nor equivalent-is, that everything is in its place. Where this charm is wanting, every other me it either loses its name, or becomes an additional ground of accusation and regret. Of one by whom it is eminently possessed we say, proverbially, that he is like clock-work. The resemblance extends beyond the point of regularity, and yet falls far short of the truth. Both do, indeed, at once divide and announce the silent and otherwise indistinguishable lapse of time; but the man of methodical industry and honourable pursuits does more; he realises its ideal divisions, and gives a character and individuality to its moments. If the idle are described as killing time, he may be justly said to call it into life and moral being, while he makes it the distinct object not only of the consciousness, but of the conscience. He organizes the hours, and gives them a soul; and to that, the very essence of which is so fleet and to have been, he communicates an imperishable and a spiritual nature. Of the good and faithful servant, whose energies, thus directed, are thus methodised, it is less truly affirmed that he lives in time, than that time lives in him. His days, months, and years, as the stops and punctual marks in the records of duties performed, will survive the wreck of worlds, and remain extant when time itself shall be no more. REV. WILLIAM LISLE BOWLES. The REV. WILLIAM LISLE BOWLES (1762-1850) enjoys the distinction of having delighted and inspired' the genius of Coleridge. His first publication was a small volume of sonnets published in 1789, to which additions were made from time to time, and in 1805 the collection had reached a ninth edition. Various other poetical works proceeded from the pen of Mr. Bowles: 'Coombe Ellen and St. Michael's Mount,' 1798; Battle of the Nile,' 1799; Sorrows of Switzerland,' 1801; Spirit of Discovery,' 1805; The Missionary of the Andes,' 1815; Days Departed,' 1828; 'St. John in Patmos,' 1833; &c. None of these works can be said to have been popular, though all of them contain passages of fine descriptive and meditative verse. Mr. Bowles had the true poetical feeling and imagination, refined by classical taste and acquirements. Coleridge was one of his earliest and most devoted admirers. A volume of Mr. Bowles's sonnets falling into the hands of the enthusiastic young poet, converted him from some 'perilous errors' to the love of a style of poetry at once tender and manly. The pupil outstripped his master in richness and luxuriance, though not in elegance or correctness. Mr. Bowles, in 2006, edited an edition of Pope's works, which, being attacked by Campbell in his Specimens of the Poets, led to a literary controversy, in which Lord Byron and others took a part. Bowles insisted strongly on descriptive poetry forming an indispensable part of the poetical character; 'every rock, every leaf, every diversity of hue in nature's variety.' Campbell, on the other hand, objected to this Dutch minuteness and perspicacity of colouring, and claimed for the poet (what Bowles never could have denied) nature, moral as well as external, the poetry of the passions, and the lights and shades of human manners. In reality, Pope occupied a middle position, inclining to the artificial side of life. Mr. Bowles was born at King'sSutton, Northamptonshire, and was educated first at Winchester School, under Joseph Warton, and subsequently at Trinity College, Oxford. He long held the rectory of Bremhill, in Wiltshire (of which George Herbert and Norris of Bemerton had also been incumbents), and from 1828 till his death he was a canon residentiary of Salisbury Cathedral. He is described by his neighbour, Moore the poet, as a simple, amiable, absent-minded scholar, poet, and musician. Sonnets. O Time! who know'st a lenient hand to lay The faint pang stealest, unperceived away; I And think when thou hast dried the bitter tear Fair Moon! that at the chilly day's decline Of sharp December, through my cottage pane Just glimmering, bids each shadowy image fall I but remark mortality's sad doom; Whilst hope and joy, cloudless and soft appear Hope. As one who, long by wasting sickness worn, Salute his lonely porch, now first at morn He the green slope and level meadow views Heard the green river's winding marge along, Sweet Hope! thy fragrance pure and healing incense steal. Bamborough Castle. Ye holy towers that shade the wave-worn steep, Oft listening tearful when the wild winds beat Of midnight, when the moon is hid on high, Blest if her aid some fainting wretch might save, Beneath aërial cliffs and glittering snows, The Andes, wild and desolate, were spread, And Chillan trailed its smoke and smouldering fires. Amid the clear blue light, are wandering by; With twinkling wing is spinning o'er the flowers; The woodpecker is heard with busy bill, The mock-bird sings-and all beside is still. And look! the cataract that bursts so high, The tumult of its dashing fall suspends, And, stealing drop by drop, in mist descends; Through whose illumined spray and sprinkling dews, Here, its gay network and fantastic twine The purple cogul threads from pine to pine, And oft, as the fresh airs of morning breathe, Dips its long tendrils in the stream beneath. There, through the trunks, with moss and lichens white And 'mid the cedar's darksome bough, illumes, |