Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 16Indiana University Press, 1993 |
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Seite 121
... claims based on gender . ) One performative accomplishment of Williams's style is that instead of proceeding in an abstract way to defend " group rights , " Williams enacts a collective perspective , as it were , in part by staging many ...
... claims based on gender . ) One performative accomplishment of Williams's style is that instead of proceeding in an abstract way to defend " group rights , " Williams enacts a collective perspective , as it were , in part by staging many ...
Seite 70
... claims to represent , in a simultaneously scientific and aesthetic form , the unmedi- ated truth of the emotions , thoughts , and subjectivity of the person being photographed . Yet only through his assertion of his own subjectivity ...
... claims to represent , in a simultaneously scientific and aesthetic form , the unmedi- ated truth of the emotions , thoughts , and subjectivity of the person being photographed . Yet only through his assertion of his own subjectivity ...
Seite 192
... claims about the surreal gestures of modernist photography . It is just such a fascinating oscillation between aesthetic definition and critical reflection that provides the framework for this collection's many “ epistemological ...
... claims about the surreal gestures of modernist photography . It is just such a fascinating oscillation between aesthetic definition and critical reflection that provides the framework for this collection's many “ epistemological ...
Inhalt
Professors | 28 |
Feminist Theory Goes to Hollywood | 50 |
The Monstrous Union of Virginia Woolf and Marilyn Monroe | 71 |
Urheberrecht | |
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Aboriginal aesthetic American Anita Hill argues artist Barthes Barthes's become Benjamin body boredom Brassaï camera Cindy Sherman cinema contemporary critical critique cyborg D.W. Griffith DC COMICS death Deleuze desire discourse Dracula Duchenne essay example experience face fantasy Father Figure female feminine feminism feminist fetish fiction film gender genre George Michael German gesture homosexuality Hong Kong Hong Kong cinema human identity issues Kristeva labor language look lyric machine male Marilyn Monroe means medical photography Megan melancholia modern Moffatt Monroe mother Munby myth narrative nation Night Cries object photographs political popular culture pose postmodern professor psychoanalysis question reality relation representation Roland Barthes Routledge semiotic sexual Sherman social space story Studies Superman Tania Modleski Teleny television theater theory tion Tracey Moffatt tradition Trans truth vampire viewer Virginia Woolf virtual visual woman women writing York