The Development of African DramaHutchison University Library for Africa, 1982 - 368 Seiten |
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Seite 44
... theatre company to travel all round Nigeria , and even beyond its boundaries , meant a wider circulation of these issues - which certainly made him a thorn in the flesh of the colonial authorities . This led to his theatre being banned ...
... theatre company to travel all round Nigeria , and even beyond its boundaries , meant a wider circulation of these issues - which certainly made him a thorn in the flesh of the colonial authorities . This led to his theatre being banned ...
Seite 47
... theatre company ; he didn't share Ogunde's enthusiasm of the earlier years for cultural nationalism ; and eventually he turned completely to night club entertainment and to developing Nigerian pop music . His heirs are the contemporary ...
... theatre company ; he didn't share Ogunde's enthusiasm of the earlier years for cultural nationalism ; and eventually he turned completely to night club entertainment and to developing Nigerian pop music . His heirs are the contemporary ...
Seite 50
... company ; and someone else went to Germany . Moses Olaiya went on to become a very wealthy man . He too , like Ogunde , has established a number of successful enterprises and ancillary companies besides the main theatre company . When ...
... company ; and someone else went to Germany . Moses Olaiya went on to become a very wealthy man . He too , like Ogunde , has established a number of successful enterprises and ancillary companies besides the main theatre company . When ...
Inhalt
Traditional performance in contemporary society | 28 |
Drama as literature and performance | 62 |
Transpositions and adaptations in African drama | 102 |
Urheberrecht | |
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action actors actually African drama Amavi analysis Ananse Anansewa Anowa art theatre artistic audience Augusto Boal Bacchae become Benin Bero Bertolt Brecht Black Mamba Botswana Brecht characters Clark colonial consciousness contemporary context contradiction critical culture dance death Dedan Kimathi Demoke Dionysus drama and theatre Èdá English Euripides Everyman example fact father final Ghana Greek Heinemann Educational Books Hubert Ogunde Ibadan ibid irony Kaunda killed Kinjeketile Kitunda Kofi Kokutse lives London meaning moral mother Ngugi Ngugi wa Thiong'o Nigerian Oedipus Ogun Ogunde Ovonramwen Ozidi peasant Pentheus play play-texts play's playwright political popular theatre present prison problem ritual role Rotimi Rugyendo rural saga satire scene sing slaves social society song Soyinka specific stage direction story story-teller structure struggle tells theatre company tion traditional performances University of Ibadan University Press urban village Wole Wole Soyinka woman Yoruba young Zambian
Verweise auf dieses Buch
Post-colonial Drama: Theory, Practice, Politics Helen Gilbert,Joanne Tompkins Keine Leseprobe verfügbar - 1996 |