The Development of African DramaHutchison University Library for Africa, 1982 - 368 Seiten |
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Seite 39
... songs , but also from the nature of the occasion of an evening of song performances . The study is interesting , not least because it attempts to place song- composition and song performance in the context of social change ; and it is ...
... songs , but also from the nature of the occasion of an evening of song performances . The study is interesting , not least because it attempts to place song- composition and song performance in the context of social change ; and it is ...
Seite 270
... songs of The Threepenny Opera have had a profound appeal for audiences . The opening song , ' Mack the Knife ' , later popularized by Louis Armstrong's rendering of it , is well known in its own right , and Soyinka uses it as the opening ...
... songs of The Threepenny Opera have had a profound appeal for audiences . The opening song , ' Mack the Knife ' , later popularized by Louis Armstrong's rendering of it , is well known in its own right , and Soyinka uses it as the opening ...
Seite 273
... song's title is : ' Big man chop cement ; cement chop small man ' . The structure of the song emphasizes the irony . There are three verses , in which the labourers unloading the cement round - the- clock sing of their luck at getting ...
... song's title is : ' Big man chop cement ; cement chop small man ' . The structure of the song emphasizes the irony . There are three verses , in which the labourers unloading the cement round - the- clock sing of their luck at getting ...
Inhalt
Traditional performance in contemporary society | 28 |
Drama as literature and performance | 62 |
Transpositions and adaptations in African drama | 102 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actors actually African drama Amavi analysis Ananse Anansewa Anowa art theatre artistic audience Augusto Boal Bacchae become Benin Bero Bertolt Brecht Black Mamba Botswana Brecht characters Clark colonial consciousness contemporary context contradiction critical culture dance death Dedan Kimathi Demoke Dionysus drama and theatre Èdá English Euripides Everyman example fact father final Ghana Greek Heinemann Educational Books Hubert Ogunde Ibadan ibid irony Kaunda killed Kinjeketile Kitunda Kofi Kokutse lives London meaning moral mother Ngugi Ngugi wa Thiong'o Nigerian Oedipus Ogun Ogunde Ovonramwen Ozidi peasant Pentheus play play-texts play's playwright political popular theatre present prison problem ritual role Rotimi Rugyendo rural saga satire scene sing slaves social society song Soyinka specific stage direction story story-teller structure struggle tells theatre company tion traditional performances University of Ibadan University Press urban village Wole Wole Soyinka woman Yoruba young Zambian
Verweise auf dieses Buch
Post-colonial Drama: Theory, Practice, Politics Helen Gilbert,Joanne Tompkins Keine Leseprobe verfügbar - 1996 |