The development of African drama |
Im Buch
Ergebnisse 1-3 von 49
Seite 34
However, the description in each case does not indicate how a festival or ritual
performance has achieved its present organizational level; nor does it suggest
how its personnel may be able to change its basic mode of performance in order
to ...
However, the description in each case does not indicate how a festival or ritual
performance has achieved its present organizational level; nor does it suggest
how its personnel may be able to change its basic mode of performance in order
to ...
Seite 57
(2) Soma scenes present us with characters who know less about what is
happening to them than we the audience do, or other characters on stage do.
This is called dramatic irony. Scenario is sometimes referred to as plot; but both
scenario ...
(2) Soma scenes present us with characters who know less about what is
happening to them than we the audience do, or other characters on stage do.
This is called dramatic irony. Scenario is sometimes referred to as plot; but both
scenario ...
Seite 91
In fact, Rugyendo allows Hero 1 to present a positive and somewhat idealized
view of capitalist development, in order to strengthen the significance of the '
audience's' response. Hero 2 wins; Hero 1 shakes his hand, and everyone
proceeds to ...
In fact, Rugyendo allows Hero 1 to present a positive and somewhat idealized
view of capitalist development, in order to strengthen the significance of the '
audience's' response. Hero 2 wins; Hero 1 shakes his hand, and everyone
proceeds to ...
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
Acknowledgements | 8 |
Introduction | 22 |
Traditional performance in contemporary society | 28 |
Urheberrecht | |
9 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action actors actually African drama Amavi analysis Ananse Anansewa Anowa art theatre artistic audience Augusto Boal Bacchae become Benin Bero Black Mamba Botswana Brecht characters Clark colonial concerned consciousness contemporary context contradiction critical culture dance daughter death Dedan Kimathi Demoke Dionysus drama and theatre English Everyman example fact father final Forest Head Ghana Greek Hubert Ogunde Ibadan ibid improvisation intellectuals irony Kaunda killed Kimathi Kinjeketile Kitunda Kofi Kokutse Lateef lives London meaning moral mother n.lpl Ngugi Ngugi wa Thiong'o Nigerian Oedipus Ogun Ogunde Ogunde's Ovonramwen Ozidi parody peasant Pentheus play play-texts play's playwright political popular theatre present prison problem refers ritual role Rotimi Rugyendo rural saga satire scene Sewa sing slaves social society song Soyinka specific stage direction story story-teller structure struggle tells theatre company tion traditional performances urban village Wole Soyinka woman Yoruba young Zambian
Verweise auf dieses Buch
Post-colonial Drama: Theory, Practice, Politics Helen Gilbert,Joanne Tompkins Keine Leseprobe verfügbar - 1996 |