The Development of African DramaHutchison University Library for Africa, 1982 - 368 Seiten |
Im Buch
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Seite 34
... present - day realities . The present - day Kalankuwa performance in Bomo village might seem to be trivial , inconsequential , and even a corruption of tradition for it is changing from a harvest festival into a more satirical festival ...
... present - day realities . The present - day Kalankuwa performance in Bomo village might seem to be trivial , inconsequential , and even a corruption of tradition for it is changing from a harvest festival into a more satirical festival ...
Seite 57
... present us with characters who know less about what is happening to them than we the audience do , or other characters on stage do . This is called dramatic irony . Scenario is sometimes referred to as plot ; but both scenario and plot ...
... present us with characters who know less about what is happening to them than we the audience do , or other characters on stage do . This is called dramatic irony . Scenario is sometimes referred to as plot ; but both scenario and plot ...
Seite 91
... present a positive and somewhat idealized view of capitalist development , in order to strengthen the significance of the ' audience's ' response . Hero 2 wins ; Hero 1 shakes his hand , and everyone proceeds to a feast . This is ...
... present a positive and somewhat idealized view of capitalist development , in order to strengthen the significance of the ' audience's ' response . Hero 2 wins ; Hero 1 shakes his hand , and everyone proceeds to a feast . This is ...
Inhalt
Traditional performance in contemporary society | 28 |
Drama as literature and performance | 62 |
Transpositions and adaptations in African drama | 102 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actors actually African drama Amavi analysis Ananse Anansewa Anowa art theatre artistic audience Augusto Boal Bacchae become Benin Bero Bertolt Brecht Black Mamba Botswana Brecht characters Clark colonial consciousness contemporary context contradiction critical culture dance death Dedan Kimathi Demoke Dionysus drama and theatre Èdá English Euripides Everyman example fact father final Ghana Greek Heinemann Educational Books Hubert Ogunde Ibadan ibid irony Kaunda killed Kinjeketile Kitunda Kofi Kokutse lives London meaning moral mother Ngugi Ngugi wa Thiong'o Nigerian Oedipus Ogun Ogunde Ovonramwen Ozidi peasant Pentheus play play-texts play's playwright political popular theatre present prison problem ritual role Rotimi Rugyendo rural saga satire scene sing slaves social society song Soyinka specific stage direction story story-teller structure struggle tells theatre company tion traditional performances University of Ibadan University Press urban village Wole Wole Soyinka woman Yoruba young Zambian
Verweise auf dieses Buch
Post-colonial Drama: Theory, Practice, Politics Helen Gilbert,Joanne Tompkins Keine Leseprobe verfügbar - 1996 |