The Development of African DramaHutchison University Library for Africa, 1982 - 368 Seiten |
Im Buch
Ergebnisse 1-3 von 84
Seite 61
... People's Plays ( London : Heinemann Educational Books 1981 ) . 19 ' Mshengu ' , ' After Soweto : people's theatre and the political struggle in South Africa ' , Theatre Quarterly , vol . 9 no . 33 ( 1979 ) , pp . 31-8 . 20 Gibson Kente ...
... People's Plays ( London : Heinemann Educational Books 1981 ) . 19 ' Mshengu ' , ' After Soweto : people's theatre and the political struggle in South Africa ' , Theatre Quarterly , vol . 9 no . 33 ( 1979 ) , pp . 31-8 . 20 Gibson Kente ...
Seite 178
... people's oppressors . Indeed , the people's hero is in danger of being depicted as the people's god . Furthermore , the play's complicated theatricality ( which makes any performance of it dependent upon the technical resources of stage ...
... people's oppressors . Indeed , the people's hero is in danger of being depicted as the people's god . Furthermore , the play's complicated theatricality ( which makes any performance of it dependent upon the technical resources of stage ...
Seite 324
... people's culture : the scenario from Chifunyise's play about the Nyau dancer suggests one way at least in which the dominant culture of contemporary elites co - opts and undermines this grass - roots performance art of the people which ...
... people's culture : the scenario from Chifunyise's play about the Nyau dancer suggests one way at least in which the dominant culture of contemporary elites co - opts and undermines this grass - roots performance art of the people which ...
Inhalt
Traditional performance in contemporary society | 28 |
Drama as literature and performance | 62 |
Transpositions and adaptations in African drama | 102 |
Urheberrecht | |
7 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action actors actually African drama Amavi analysis Ananse Anansewa Anowa art theatre artistic audience Augusto Boal Bacchae become Benin Bero Bertolt Brecht Black Mamba Botswana Brecht characters Clark colonial consciousness contemporary context contradiction critical culture dance death Dedan Kimathi Demoke Dionysus drama and theatre Èdá English Euripides Everyman example fact father final Ghana Greek Heinemann Educational Books Hubert Ogunde Ibadan ibid irony Kaunda killed Kinjeketile Kitunda Kofi Kokutse lives London meaning moral mother Ngugi Ngugi wa Thiong'o Nigerian Oedipus Ogun Ogunde Ovonramwen Ozidi peasant Pentheus play play-texts play's playwright political popular theatre present prison problem ritual role Rotimi Rugyendo rural saga satire scene sing slaves social society song Soyinka specific stage direction story story-teller structure struggle tells theatre company tion traditional performances University of Ibadan University Press urban village Wole Wole Soyinka woman Yoruba young Zambian
Verweise auf dieses Buch
Post-colonial Drama: Theory, Practice, Politics Helen Gilbert,Joanne Tompkins Keine Leseprobe verfügbar - 1996 |