The Development of African DramaHutchison University Library for Africa, 1982 - 368 Seiten |
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Seite 76
... leaves Of the coco - yam . When you have covered up Ozidi's face completely with them , then You may again try cutting ... leave : You'll be convinced when . . . Ozidi returns At the head of Orua in triumph.7 This scene is paralleled by ...
... leaves Of the coco - yam . When you have covered up Ozidi's face completely with them , then You may again try cutting ... leave : You'll be convinced when . . . Ozidi returns At the head of Orua in triumph.7 This scene is paralleled by ...
Seite 113
... leave you now . I will start enjoying life with someone else . And you will go your way . [ DL , pp . 108–9 ] Money was a demon on his back . Good Deeds staggers in . She is a decrepit old woman who collapses on the stage . Even at this ...
... leave you now . I will start enjoying life with someone else . And you will go your way . [ DL , pp . 108–9 ] Money was a demon on his back . Good Deeds staggers in . She is a decrepit old woman who collapses on the stage . Even at this ...
Seite 152
... leave furtively ' - suggests a sense of guilt which Britain certainly did not feel in conquering the Benin empire . She exulted in her conquest . She had put down the ' heathen ' , ' sadistic ' blacks . What reason did Moor have for leaving ...
... leave furtively ' - suggests a sense of guilt which Britain certainly did not feel in conquering the Benin empire . She exulted in her conquest . She had put down the ' heathen ' , ' sadistic ' blacks . What reason did Moor have for leaving ...
Inhalt
Traditional performance in contemporary society | 28 |
Drama as literature and performance | 62 |
Transpositions and adaptations in African drama | 102 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actors actually African drama Amavi analysis Ananse Anansewa Anowa art theatre artistic audience Augusto Boal Bacchae become Benin Bero Bertolt Brecht Black Mamba Botswana Brecht characters Clark colonial consciousness contemporary context contradiction critical culture dance death Dedan Kimathi Demoke Dionysus drama and theatre Èdá English Euripides Everyman example fact father final Ghana Greek Heinemann Educational Books Hubert Ogunde Ibadan ibid irony Kaunda killed Kinjeketile Kitunda Kofi Kokutse lives London meaning moral mother Ngugi Ngugi wa Thiong'o Nigerian Oedipus Ogun Ogunde Ovonramwen Ozidi peasant Pentheus play play-texts play's playwright political popular theatre present prison problem ritual role Rotimi Rugyendo rural saga satire scene sing slaves social society song Soyinka specific stage direction story story-teller structure struggle tells theatre company tion traditional performances University of Ibadan University Press urban village Wole Wole Soyinka woman Yoruba young Zambian
Verweise auf dieses Buch
Post-colonial Drama: Theory, Practice, Politics Helen Gilbert,Joanne Tompkins Keine Leseprobe verfügbar - 1996 |