The development of African drama |
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Seite 72
The preparation for revenge must, therefore, be as thorough as possible. Nothing
must be left to chance. So the next part of the story tells how the young Ozidi is
prepared for his great task of avenging his murdered father. He starts as a normal
...
The preparation for revenge must, therefore, be as thorough as possible. Nothing
must be left to chance. So the next part of the story tells how the young Ozidi is
prepared for his great task of avenging his murdered father. He starts as a normal
...
Seite 81
He remains nameless for the next six scenes, right throughout the time of his
preparation as a young warrior. In fact, a name is specifically denied him, despite
his boyish protests. It also worries him that he doesn't seem to have a father and
he ...
He remains nameless for the next six scenes, right throughout the time of his
preparation as a young warrior. In fact, a name is specifically denied him, despite
his boyish protests. It also worries him that he doesn't seem to have a father and
he ...
Seite 247
Bero, with calculating cruelty, puts four of his father's former 'patients', four war-
deformed beggars, whose thinking the Old Man has illuminated, as his gaolers;
brings him back to the village under cover of darkness; and locks him up in his ...
Bero, with calculating cruelty, puts four of his father's former 'patients', four war-
deformed beggars, whose thinking the Old Man has illuminated, as his gaolers;
brings him back to the village under cover of darkness; and locks him up in his ...
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Inhalt
Acknowledgements | 8 |
Introduction | 22 |
Traditional performance in contemporary society | 28 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actors actually African drama Amavi analysis Ananse Anansewa Anowa art theatre artistic audience Augusto Boal Bacchae become Benin Bero Black Mamba Botswana Brecht characters Clark colonial concerned consciousness contemporary context contradiction critical culture dance daughter death Dedan Kimathi Demoke Dionysus drama and theatre English Everyman example fact father final Forest Head Ghana Greek Hubert Ogunde Ibadan ibid improvisation intellectuals irony Kaunda killed Kimathi Kinjeketile Kitunda Kofi Kokutse Lateef lives London meaning moral mother n.lpl Ngugi Ngugi wa Thiong'o Nigerian Oedipus Ogun Ogunde Ogunde's Ovonramwen Ozidi parody peasant Pentheus play play-texts play's playwright political popular theatre present prison problem refers ritual role Rotimi Rugyendo rural saga satire scene Sewa sing slaves social society song Soyinka specific stage direction story story-teller structure struggle tells theatre company tion traditional performances urban village Wole Soyinka woman Yoruba young Zambian
Verweise auf dieses Buch
Post-colonial Drama: Theory, Practice, Politics Helen Gilbert,Joanne Tompkins Keine Leseprobe verfügbar - 1996 |