The Development of African DramaHutchison University Library for Africa, 1982 - 368 Seiten |
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Seite 27
... difficult to make lasting contacts . It is very difficult to formulate the plays so as to lay bare the contradictions . This type of drama work is just beginning in Africa . It is much more developed in parts of Latin America and South ...
... difficult to make lasting contacts . It is very difficult to formulate the plays so as to lay bare the contradictions . This type of drama work is just beginning in Africa . It is much more developed in parts of Latin America and South ...
Seite 160
... difficult . Eventually he has a confrontation with Kinjeketile . Ironically , there has been a complete reversal of their positions . Kitunda is now arguing in favour of starting the war - ' We have the water now , and we have the ...
... difficult . Eventually he has a confrontation with Kinjeketile . Ironically , there has been a complete reversal of their positions . Kitunda is now arguing in favour of starting the war - ' We have the water now , and we have the ...
Seite 193
... difficult to know why the plays were banned . It may be that the play offended some members of the government or the Party . It is , I suppose , difficult to write a play about people who are still very much centre stage in real life ...
... difficult to know why the plays were banned . It may be that the play offended some members of the government or the Party . It is , I suppose , difficult to write a play about people who are still very much centre stage in real life ...
Inhalt
Traditional performance in contemporary society | 28 |
Drama as literature and performance | 62 |
Transpositions and adaptations in African drama | 102 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actors actually African drama Amavi analysis Ananse Anansewa Anowa art theatre artistic audience Augusto Boal Bacchae become Benin Bero Bertolt Brecht Black Mamba Botswana Brecht characters Clark colonial consciousness contemporary context contradiction critical culture dance death Dedan Kimathi Demoke Dionysus drama and theatre Èdá English Euripides Everyman example fact father final Ghana Greek Heinemann Educational Books Hubert Ogunde Ibadan ibid irony Kaunda killed Kinjeketile Kitunda Kofi Kokutse lives London meaning moral mother Ngugi Ngugi wa Thiong'o Nigerian Oedipus Ogun Ogunde Ovonramwen Ozidi peasant Pentheus play play-texts play's playwright political popular theatre present prison problem ritual role Rotimi Rugyendo rural saga satire scene sing slaves social society song Soyinka specific stage direction story story-teller structure struggle tells theatre company tion traditional performances University of Ibadan University Press urban village Wole Wole Soyinka woman Yoruba young Zambian
Verweise auf dieses Buch
Post-colonial Drama: Theory, Practice, Politics Helen Gilbert,Joanne Tompkins Keine Leseprobe verfügbar - 1996 |