The Development of African DramaHutchison University Library for Africa, 1982 - 368 Seiten |
Im Buch
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Seite 91
... audience's ' response . Hero 2 wins ; Hero 1 shakes his hand , and everyone proceeds to a feast . This is clearly an ... audience , of whom the ' audience ' within the play will become a part , is crucial . The play is intended for ...
... audience's ' response . Hero 2 wins ; Hero 1 shakes his hand , and everyone proceeds to a feast . This is clearly an ... audience , of whom the ' audience ' within the play will become a part , is crucial . The play is intended for ...
Seite 217
... audiences of Anansesem is part of a rather gentle satirical process ; and Ananse himself represents the audience . But how could this traditional participation in the satire , this deliberate response to the irony , be put on the ...
... audiences of Anansesem is part of a rather gentle satirical process ; and Ananse himself represents the audience . But how could this traditional participation in the satire , this deliberate response to the irony , be put on the ...
Seite 243
... audience have no previous experience of formal theatre , whereas plays for the art theatre audience are less free to be innovative . In Nigeria , especially in the south , there is an art theatre audience , built up by the elaborate ...
... audience have no previous experience of formal theatre , whereas plays for the art theatre audience are less free to be innovative . In Nigeria , especially in the south , there is an art theatre audience , built up by the elaborate ...
Inhalt
Traditional performance in contemporary society | 28 |
Drama as literature and performance | 62 |
Transpositions and adaptations in African drama | 102 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actors actually African drama Amavi analysis Ananse Anansewa Anowa art theatre artistic audience Augusto Boal Bacchae become Benin Bero Bertolt Brecht Black Mamba Botswana Brecht characters Clark colonial consciousness contemporary context contradiction critical culture dance death Dedan Kimathi Demoke Dionysus drama and theatre Èdá English Euripides Everyman example fact father final Ghana Greek Heinemann Educational Books Hubert Ogunde Ibadan ibid irony Kaunda killed Kinjeketile Kitunda Kofi Kokutse lives London meaning moral mother Ngugi Ngugi wa Thiong'o Nigerian Oedipus Ogun Ogunde Ovonramwen Ozidi peasant Pentheus play play-texts play's playwright political popular theatre present prison problem ritual role Rotimi Rugyendo rural saga satire scene sing slaves social society song Soyinka specific stage direction story story-teller structure struggle tells theatre company tion traditional performances University of Ibadan University Press urban village Wole Wole Soyinka woman Yoruba young Zambian
Verweise auf dieses Buch
Post-colonial Drama: Theory, Practice, Politics Helen Gilbert,Joanne Tompkins Keine Leseprobe verfügbar - 1996 |