The Development of African DramaHutchison University Library for Africa, 1982 - 368 Seiten |
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Seite 24
... actually holds these two opposing tendencies in tension . Within the ' great tradition ' an apparently new play may be more derivative than an actual adaptation into a contemporary African context of a ' great work ' from another ...
... actually holds these two opposing tendencies in tension . Within the ' great tradition ' an apparently new play may be more derivative than an actual adaptation into a contemporary African context of a ' great work ' from another ...
Seite 226
... actually inherited the fruits of independence ? Which nations do the various chiefs actually represent , especially the Chief - Who - Is - Chief ? Does the latter represent pan - Africanism as expressed in the OAU ? And does the central ...
... actually inherited the fruits of independence ? Which nations do the various chiefs actually represent , especially the Chief - Who - Is - Chief ? Does the latter represent pan - Africanism as expressed in the OAU ? And does the central ...
Seite 291
... actually a significant cause of many of his social traumas . Ajibade's character says ' The Nation must labour ! ' ; Osofisan gets his audience and actors to sing ' When everyone's a farmer . . . / No more injustice / Labour's for all ...
... actually a significant cause of many of his social traumas . Ajibade's character says ' The Nation must labour ! ' ; Osofisan gets his audience and actors to sing ' When everyone's a farmer . . . / No more injustice / Labour's for all ...
Inhalt
Traditional performance in contemporary society | 28 |
Drama as literature and performance | 62 |
Transpositions and adaptations in African drama | 102 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actors actually African drama Amavi analysis Ananse Anansewa Anowa art theatre artistic audience Augusto Boal Bacchae become Benin Bero Bertolt Brecht Black Mamba Botswana Brecht characters Clark colonial consciousness contemporary context contradiction critical culture dance death Dedan Kimathi Demoke Dionysus drama and theatre Èdá English Euripides Everyman example fact father final Ghana Greek Heinemann Educational Books Hubert Ogunde Ibadan ibid irony Kaunda killed Kinjeketile Kitunda Kofi Kokutse lives London meaning moral mother Ngugi Ngugi wa Thiong'o Nigerian Oedipus Ogun Ogunde Ovonramwen Ozidi peasant Pentheus play play-texts play's playwright political popular theatre present prison problem ritual role Rotimi Rugyendo rural saga satire scene sing slaves social society song Soyinka specific stage direction story story-teller structure struggle tells theatre company tion traditional performances University of Ibadan University Press urban village Wole Wole Soyinka woman Yoruba young Zambian
Verweise auf dieses Buch
Post-colonial Drama: Theory, Practice, Politics Helen Gilbert,Joanne Tompkins Keine Leseprobe verfügbar - 1996 |