The Development of African DramaHutchison University Library for Africa, 1982 - 368 Seiten |
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Seite 57
... what one would imagine . Afterwards , however , the unexpected can be seen as curiously appropriate , and reveals a deeper truth which was previously hidden . This is irony . ( 2 ) Some scenes present us with characters who know less ...
... what one would imagine . Afterwards , however , the unexpected can be seen as curiously appropriate , and reveals a deeper truth which was previously hidden . This is irony . ( 2 ) Some scenes present us with characters who know less ...
Seite 161
... What exactly is Hussein arguing through his characters at this point ? It seems that he is undermining superstition from within , rather than outside of , the margins of religious belief . We don't doubt God , but what do we make of his ...
... What exactly is Hussein arguing through his characters at this point ? It seems that he is undermining superstition from within , rather than outside of , the margins of religious belief . We don't doubt God , but what do we make of his ...
Seite 219
... What craftiness . Also , he has been careful to explain what his daughter Anansewa stands to gain from his design , but nobody has heard him making any direct hints about what he personally will gain . . . .34 But , he adds after a ...
... What craftiness . Also , he has been careful to explain what his daughter Anansewa stands to gain from his design , but nobody has heard him making any direct hints about what he personally will gain . . . .34 But , he adds after a ...
Inhalt
Traditional performance in contemporary society | 28 |
Drama as literature and performance | 62 |
Transpositions and adaptations in African drama | 102 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actors actually African drama Amavi analysis Ananse Anansewa Anowa art theatre artistic audience Augusto Boal Bacchae become Benin Bero Bertolt Brecht Black Mamba Botswana Brecht characters Clark colonial consciousness contemporary context contradiction critical culture dance death Dedan Kimathi Demoke Dionysus drama and theatre Èdá English Euripides Everyman example fact father final Ghana Greek Heinemann Educational Books Hubert Ogunde Ibadan ibid irony Kaunda killed Kinjeketile Kitunda Kofi Kokutse lives London meaning moral mother Ngugi Ngugi wa Thiong'o Nigerian Oedipus Ogun Ogunde Ovonramwen Ozidi peasant Pentheus play play-texts play's playwright political popular theatre present prison problem ritual role Rotimi Rugyendo rural saga satire scene sing slaves social society song Soyinka specific stage direction story story-teller structure struggle tells theatre company tion traditional performances University of Ibadan University Press urban village Wole Wole Soyinka woman Yoruba young Zambian
Verweise auf dieses Buch
Post-colonial Drama: Theory, Practice, Politics Helen Gilbert,Joanne Tompkins Keine Leseprobe verfügbar - 1996 |