The Development of African DramaHutchison University Library for Africa, 1982 - 368 Seiten |
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Seite 80
... Ozidi fight and after losing six of his seven heads , the monster begs Ozidi not to cut off his last head . Ozidi is about to comply , but Oreame cuts him short : Not so my son ! This cannot happen ! I Was tending at home a client ...
... Ozidi fight and after losing six of his seven heads , the monster begs Ozidi not to cut off his last head . Ozidi is about to comply , but Oreame cuts him short : Not so my son ! This cannot happen ! I Was tending at home a client ...
Seite 83
... Ozidi has no individual identity , and he makes his own Ozidi increasingly aware of this constraint upon his life . Clark's Ozidi knows , if only at a subconscious level , that he must kill her if he is to find his true self . But in ...
... Ozidi has no individual identity , and he makes his own Ozidi increasingly aware of this constraint upon his life . Clark's Ozidi knows , if only at a subconscious level , that he must kill her if he is to find his true self . But in ...
Seite 93
... Ozidi has none . This is odd because the traditional performance from which Ozidi derives is much more specific and esoteric than the generalized ' heroic recitations ' that The Contest develops . This would seem to argue for more ...
... Ozidi has none . This is odd because the traditional performance from which Ozidi derives is much more specific and esoteric than the generalized ' heroic recitations ' that The Contest develops . This would seem to argue for more ...
Inhalt
Traditional performance in contemporary society | 28 |
Drama as literature and performance | 62 |
Transpositions and adaptations in African drama | 102 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actors actually African drama Amavi analysis Ananse Anansewa Anowa art theatre artistic audience Augusto Boal Bacchae become Benin Bero Bertolt Brecht Black Mamba Botswana Brecht characters Clark colonial consciousness contemporary context contradiction critical culture dance death Dedan Kimathi Demoke Dionysus drama and theatre Èdá English Euripides Everyman example fact father final Ghana Greek Heinemann Educational Books Hubert Ogunde Ibadan ibid irony Kaunda killed Kinjeketile Kitunda Kofi Kokutse lives London meaning moral mother Ngugi Ngugi wa Thiong'o Nigerian Oedipus Ogun Ogunde Ovonramwen Ozidi peasant Pentheus play play-texts play's playwright political popular theatre present prison problem ritual role Rotimi Rugyendo rural saga satire scene sing slaves social society song Soyinka specific stage direction story story-teller structure struggle tells theatre company tion traditional performances University of Ibadan University Press urban village Wole Wole Soyinka woman Yoruba young Zambian
Verweise auf dieses Buch
Post-colonial Drama: Theory, Practice, Politics Helen Gilbert,Joanne Tompkins Keine Leseprobe verfügbar - 1996 |