The development of African drama |
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Seite 150
Ovonramwen is shocked at what his generals have done, as they dance up to
him with the heads of the whites on top of swaying poles. Rotimi wants to show
that there is no simulation in Ovonramwen's horror and that he is deeply
distressed ...
Ovonramwen is shocked at what his generals have done, as they dance up to
him with the heads of the whites on top of swaying poles. Rotimi wants to show
that there is no simulation in Ovonramwen's horror and that he is deeply
distressed ...
Seite 153
If the British were obeying orders, Ovonramwen's chiefs and war lords were not.
This is a significant aspect of the play, and another source of ambiguity. In Act 1,
Ovonramwen is shown exercising his power over all subsidiary chiefs and ...
If the British were obeying orders, Ovonramwen's chiefs and war lords were not.
This is a significant aspect of the play, and another source of ambiguity. In Act 1,
Ovonramwen is shown exercising his power over all subsidiary chiefs and ...
Seite 155
Rotimi's play is that Ovonramwen was the victim of fate. We have already seen
the stress laid upon the oracle in Acts 1 and 2; and we have had privileged
access to Ovonramwen's mind. In Act 3 Ovonramwen's surrender is hedged
about by ...
Rotimi's play is that Ovonramwen was the victim of fate. We have already seen
the stress laid upon the oracle in Acts 1 and 2; and we have had privileged
access to Ovonramwen's mind. In Act 3 Ovonramwen's surrender is hedged
about by ...
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Inhalt
Acknowledgements | 8 |
Introduction | 22 |
Traditional performance in contemporary society | 28 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actors actually African drama Amavi analysis Ananse Anansewa Anowa art theatre artistic audience Augusto Boal Bacchae become Benin Bero Black Mamba Botswana Brecht characters Clark colonial concerned consciousness contemporary context contradiction critical culture dance daughter death Dedan Kimathi Demoke Dionysus drama and theatre English Everyman example fact father final Forest Head Ghana Greek Hubert Ogunde Ibadan ibid improvisation intellectuals irony Kaunda killed Kimathi Kinjeketile Kitunda Kofi Kokutse Lateef lives London meaning moral mother n.lpl Ngugi Ngugi wa Thiong'o Nigerian Oedipus Ogun Ogunde Ogunde's Ovonramwen Ozidi parody peasant Pentheus play play-texts play's playwright political popular theatre present prison problem refers ritual role Rotimi Rugyendo rural saga satire scene Sewa sing slaves social society song Soyinka specific stage direction story story-teller structure struggle tells theatre company tion traditional performances urban village Wole Soyinka woman Yoruba young Zambian
Verweise auf dieses Buch
Post-colonial Drama: Theory, Practice, Politics Helen Gilbert,Joanne Tompkins Keine Leseprobe verfügbar - 1996 |