The Development of African DramaHutchison University Library for Africa, 1982 - 368 Seiten |
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Seite 159
... Kinjeketile had spoken in his trance of the people becoming the children of Seyyid Said . He is an Arab , Kinjeketile tells him , the Sultan of Zanzibar . ' You speak some strange Swahili , ' Kitunda tells him , ' - like Arabic ...
... Kinjeketile had spoken in his trance of the people becoming the children of Seyyid Said . He is an Arab , Kinjeketile tells him , the Sultan of Zanzibar . ' You speak some strange Swahili , ' Kitunda tells him , ' - like Arabic ...
Seite 160
... Kinjeketile , like Kitunda in the first scene of the play , is advising Kitunda to wait . Kinjeketile is now the one who is arguing on the basis of reason : you are Kinjeketile : No , you are not ready to fight ! What you mean is ...
... Kinjeketile , like Kitunda in the first scene of the play , is advising Kitunda to wait . Kinjeketile is now the one who is arguing on the basis of reason : you are Kinjeketile : No , you are not ready to fight ! What you mean is ...
Seite 161
... Kinjeketile , however , has not given up his belief in God ; and he still does not doubt that he was indeed ... Kinjeketile have had this argument , the representative of the Wazaramo is brought in to Kinjeketile . He has a question to ...
... Kinjeketile , however , has not given up his belief in God ; and he still does not doubt that he was indeed ... Kinjeketile have had this argument , the representative of the Wazaramo is brought in to Kinjeketile . He has a question to ...
Inhalt
Traditional performance in contemporary society | 28 |
Drama as literature and performance | 62 |
Transpositions and adaptations in African drama | 102 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actors actually African drama Amavi analysis Ananse Anansewa Anowa art theatre artistic audience Augusto Boal Bacchae become Benin Bero Bertolt Brecht Black Mamba Botswana Brecht characters Clark colonial consciousness contemporary context contradiction critical culture dance death Dedan Kimathi Demoke Dionysus drama and theatre Èdá English Euripides Everyman example fact father final Ghana Greek Heinemann Educational Books Hubert Ogunde Ibadan ibid irony Kaunda killed Kinjeketile Kitunda Kofi Kokutse lives London meaning moral mother Ngugi Ngugi wa Thiong'o Nigerian Oedipus Ogun Ogunde Ovonramwen Ozidi peasant Pentheus play play-texts play's playwright political popular theatre present prison problem ritual role Rotimi Rugyendo rural saga satire scene sing slaves social society song Soyinka specific stage direction story story-teller structure struggle tells theatre company tion traditional performances University of Ibadan University Press urban village Wole Wole Soyinka woman Yoruba young Zambian
Verweise auf dieses Buch
Post-colonial Drama: Theory, Practice, Politics Helen Gilbert,Joanne Tompkins Keine Leseprobe verfügbar - 1996 |