The development of African drama |
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Seite 219
Ananse: Listen, my one and only daughter, what I have done is that I have
organised around you a most lively competition. Anansewa: But aren't you afraid
? Ananse: [Nasally] Who said I wasn't afraid?32 Ananse is tired out with all his
efforts.
Ananse: Listen, my one and only daughter, what I have done is that I have
organised around you a most lively competition. Anansewa: But aren't you afraid
? Ananse: [Nasally] Who said I wasn't afraid?32 Ananse is tired out with all his
efforts.
Seite 220
Michael Etherton. arrive, Carpenter, Mason and Painter, to make alterations to his
house. Ananse leads them around, smoking his cigar: Top priority is this leaking
roof. That's you, Carpenter, so listen carefully; particularly in that corner there.
Michael Etherton. arrive, Carpenter, Mason and Painter, to make alterations to his
house. Ananse leads them around, smoking his cigar: Top priority is this leaking
roof. That's you, Carpenter, so listen carefully; particularly in that corner there.
Seite 222
And we see the affair between Christie and Ananse beginning to flourish. The
final act, act four, begins with a dirge. It seems that Anansewa has died. The
stage direction clearly indicates the tone: Two women rush on to the stage with a
...
And we see the affair between Christie and Ananse beginning to flourish. The
final act, act four, begins with a dirge. It seems that Anansewa has died. The
stage direction clearly indicates the tone: Two women rush on to the stage with a
...
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Inhalt
Acknowledgements | 8 |
Introduction | 22 |
Traditional performance in contemporary society | 28 |
Urheberrecht | |
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Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action actors actually African drama Amavi analysis Ananse Anansewa Anowa art theatre artistic audience Augusto Boal Bacchae become Benin Bero Black Mamba Botswana Brecht characters Clark colonial concerned consciousness contemporary context contradiction critical culture dance daughter death Dedan Kimathi Demoke Dionysus drama and theatre English Everyman example fact father final Forest Head Ghana Greek Hubert Ogunde Ibadan ibid improvisation intellectuals irony Kaunda killed Kimathi Kinjeketile Kitunda Kofi Kokutse Lateef lives London meaning moral mother n.lpl Ngugi Ngugi wa Thiong'o Nigerian Oedipus Ogun Ogunde Ogunde's Ovonramwen Ozidi parody peasant Pentheus play play-texts play's playwright political popular theatre present prison problem refers ritual role Rotimi Rugyendo rural saga satire scene Sewa sing slaves social society song Soyinka specific stage direction story story-teller structure struggle tells theatre company tion traditional performances urban village Wole Soyinka woman Yoruba young Zambian
Verweise auf dieses Buch
Post-colonial Drama: Theory, Practice, Politics Helen Gilbert,Joanne Tompkins Keine Leseprobe verfügbar - 1996 |