The development of African drama |
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Seite 204
Amavi is complete in itself, though matters remain unresolved for Amavi herself,
with her parents having died in certain unhappi- ness, leaving her unfulfilled and
despairing. In this sense, the play's ending could be said to be unsatisfactory: ...
Amavi is complete in itself, though matters remain unresolved for Amavi herself,
with her parents having died in certain unhappi- ness, leaving her unfulfilled and
despairing. In this sense, the play's ending could be said to be unsatisfactory: ...
Seite 205
Agbeka accepts his victory with a reply which is repeated almost exactly by
Kokutse years later when he throws Amavi out of his house: You women. I
anticipate your tricks. You think a man is a fool. If you think a crab's eye is wood,
touch it and ...
Agbeka accepts his victory with a reply which is repeated almost exactly by
Kokutse years later when he throws Amavi out of his house: You women. I
anticipate your tricks. You think a man is a fool. If you think a crab's eye is wood,
touch it and ...
Seite 215
Agbeka's deck-chair and Amavi's kente; and (e) showing the development of a
scene through a few key images. Another example of the complex structuring of
the action of Amavi is the constant orientation towards the central point that is
being ...
Agbeka's deck-chair and Amavi's kente; and (e) showing the development of a
scene through a few key images. Another example of the complex structuring of
the action of Amavi is the constant orientation towards the central point that is
being ...
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Inhalt
Acknowledgements | 8 |
Introduction | 22 |
Traditional performance in contemporary society | 28 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actors actually African drama Amavi analysis Ananse Anansewa Anowa art theatre artistic audience Augusto Boal Bacchae become Benin Bero Black Mamba Botswana Brecht characters Clark colonial concerned consciousness contemporary context contradiction critical culture dance daughter death Dedan Kimathi Demoke Dionysus drama and theatre English Everyman example fact father final Forest Head Ghana Greek Hubert Ogunde Ibadan ibid improvisation intellectuals irony Kaunda killed Kimathi Kinjeketile Kitunda Kofi Kokutse Lateef lives London meaning moral mother n.lpl Ngugi Ngugi wa Thiong'o Nigerian Oedipus Ogun Ogunde Ogunde's Ovonramwen Ozidi parody peasant Pentheus play play-texts play's playwright political popular theatre present prison problem refers ritual role Rotimi Rugyendo rural saga satire scene Sewa sing slaves social society song Soyinka specific stage direction story story-teller structure struggle tells theatre company tion traditional performances urban village Wole Soyinka woman Yoruba young Zambian
Verweise auf dieses Buch
Post-colonial Drama: Theory, Practice, Politics Helen Gilbert,Joanne Tompkins Keine Leseprobe verfügbar - 1996 |