Discourse, Band 33,Ausgabe 32011 |
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Ergebnisse 1-3 von 17
Seite 305
... voice - over narration.37 As we will see , the final film retains traces of its exhibition history as it struggles both to narrate the Antarctic adventure and to represent icy attractions . As the film begins , Pon- ting treats us to a ...
... voice - over narration.37 As we will see , the final film retains traces of its exhibition history as it struggles both to narrate the Antarctic adventure and to represent icy attractions . As the film begins , Pon- ting treats us to a ...
Seite 306
... voice - over narration momentarily gives way to intertitles , and sound cinema momentarily reverts to its silent system of signification . Because the movie camera was too cumbersome for Scott to carry to the pole , gradually the filmic ...
... voice - over narration momentarily gives way to intertitles , and sound cinema momentarily reverts to its silent system of signification . Because the movie camera was too cumbersome for Scott to carry to the pole , gradually the filmic ...
Seite 382
... voices collides with the identificatory encoun- ter between the girl and the woman at the table , itself described by the voice - over and reenacted in the mirror . Although Bastajian has said that J. Khorozian is a gay man , the film ...
... voices collides with the identificatory encoun- ter between the girl and the woman at the table , itself described by the voice - over and reenacted in the mirror . Although Bastajian has said that J. Khorozian is a gay man , the film ...
Inhalt
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Urheberrecht | |
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abstraction Aesthetics Agnès Varda alien animal Antarctic Antarctica Antigone archive Armenian diaspora Armenian diasporic Arnheim become biopolitics body camera catachresis catastrophe Cavarero cinema Corngold Creon Creon's Critique Culture death Derrida diasporic Discourse dissemination double Esposito essay exploration father figure filmmaker flesh folding forget Franz Kafka gender genocide Gilles Deleuze Gleaners gleaning hand horror human hymen hypnosis hypnotic Ibid images International Jacques Derrida Janet judgment Judith Butler Kassabian Kazanjian Kracauer language Lemkin's Léonce Perret letter logic means melancholy memory mental Merleau-Ponty metoikos mirror modern mother mourning narrative nature nian Nichanian photograph physical reality Pierre Janet Pinched Cheeks play Pole politics Ponting psychological quotation Raphael Lemkin Rocks of Kador ruins Saint Petersburg screen Sexuality shot Siegfried Kracauer Sigmund Freud slightly green South story Suzanne Theory of Film tion trans traumatic turn University Press vandal Varda violence visible voice-over woman word writing York