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Because of their closed form and hypercontrolled mises - en - scène , Hollywood films tend to revert the physical world back into literary convention because they use raw materials in the service of establishing what Kracauer calls “ a ...
Because of their closed form and hypercontrolled mises - en - scène , Hollywood films tend to revert the physical world back into literary convention because they use raw materials in the service of establishing what Kracauer calls “ a ...
Seite 332
a company catalog , one encounters two titles that stand out in their singularity : Une Scène d'hypnotisme I and Une Scène d'hypnotisme II , two films on hypnosis made sometime in 1897–98 , the second of which presents a woman who is ...
a company catalog , one encounters two titles that stand out in their singularity : Une Scène d'hypnotisme I and Une Scène d'hypnotisme II , two films on hypnosis made sometime in 1897–98 , the second of which presents a woman who is ...
Seite 365
... we arrive from the country as well , that we must not go'in ' ” ( The Split Scene of Reading : Nietzsche / Derrida / Kafka / Bachmann , Philosophy and Literary Theory [ Atlantic Highlands , NJ : Humanities Press , 1998 ) , 135 ) .
... we arrive from the country as well , that we must not go'in ' ” ( The Split Scene of Reading : Nietzsche / Derrida / Kafka / Bachmann , Philosophy and Literary Theory [ Atlantic Highlands , NJ : Humanities Press , 1998 ) , 135 ) .
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Inhalt
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Urheberrecht | |
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