Discourse, Band 33,Ausgabe 32011 |
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Seite 297
... reality through the suspended gaze of an unloving stranger . In stark con- trast to André Bazin , for whom cinema brings an alienated reality to our attention and consequently to our love , for Kracauer love and memory are implicated in ...
... reality through the suspended gaze of an unloving stranger . In stark con- trast to André Bazin , for whom cinema brings an alienated reality to our attention and consequently to our love , for Kracauer love and memory are implicated in ...
Seite 301
... reality , has a new primacy in his account of what cinema redeems . In his earlier work , photography destroys nature as myth . In The- ory of Film , photography and cinema enable us to see the physi- cal , fragmented world , including ...
... reality , has a new primacy in his account of what cinema redeems . In his earlier work , photography destroys nature as myth . In The- ory of Film , photography and cinema enable us to see the physi- cal , fragmented world , including ...
Seite 314
... reality , " because it reproduces , at the most basic level , the process by which we translate sensory data into manageable , per- ceivable forms.52 Echoing his own arguments in Film as Art ( 1932 ) , Arnheim explains that physical reality ...
... reality , " because it reproduces , at the most basic level , the process by which we translate sensory data into manageable , per- ceivable forms.52 Echoing his own arguments in Film as Art ( 1932 ) , Arnheim explains that physical reality ...
Inhalt
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Urheberrecht | |
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abstraction Aesthetics Agnès Varda alien animal Antarctic Antarctica Antigone archive Armenian diaspora Armenian diasporic Arnheim become biopolitics body camera catachresis catastrophe Cavarero cinema Corngold Creon Creon's Critique Culture death Derrida diasporic Discourse dissemination double Esposito essay exploration father figure filmmaker flesh folding forget Franz Kafka gender genocide Gilles Deleuze Gleaners gleaning hand horror human hymen hypnosis hypnotic Ibid images International Jacques Derrida Janet judgment Judith Butler Kassabian Kazanjian Kracauer language Lemkin's Léonce Perret letter logic means melancholy memory mental Merleau-Ponty metoikos mirror modern mother mourning narrative nature nian Nichanian photograph physical reality Pierre Janet Pinched Cheeks play Pole politics Ponting psychological quotation Raphael Lemkin Rocks of Kador ruins Saint Petersburg screen Sexuality shot Siegfried Kracauer Sigmund Freud slightly green South story Suzanne Theory of Film tion trans traumatic turn University Press vandal Varda violence visible voice-over woman word writing York