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Seite 297
... which before allowing the images that their faces present to reach us catches them in its vortex , flings them back upon the idea that we have always had of them , makes them adhere to it , coincide with it .
... which before allowing the images that their faces present to reach us catches them in its vortex , flings them back upon the idea that we have always had of them , makes them adhere to it , coincide with it .
Seite 298
In other words , where a contemporary photograph is " translucent , " suffused as it is with the historical present , the old photograph renders Grandmother into “ an archeological mannequin " ( MO , 48 ) . The children laugh at the ...
In other words , where a contemporary photograph is " translucent , " suffused as it is with the historical present , the old photograph renders Grandmother into “ an archeological mannequin " ( MO , 48 ) . The children laugh at the ...
Seite 414
This relatively new form of violence , Cavarero suggests , registers both the eclipse of traditional forms of warfare as well as how “ a certain model of horror is indispensable for understanding our present .
This relatively new form of violence , Cavarero suggests , registers both the eclipse of traditional forms of warfare as well as how “ a certain model of horror is indispensable for understanding our present .
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Inhalt
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Urheberrecht | |
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Bibliografische Informationen
| Titel | Discourse, Band 33,Ausgabe 3 |
| Mitwirkende | Herbert Blau, Ihab Hassan, Patricia Mellencamp, Patrice Petro, University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Veröffentlicht | 2011 |
| Original von | University of Wisconsin - Madison |
| Digitalisiert | 17. Juli 2017 |
| Zitat exportieren | BiBTeX EndNote RefMan |