Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 33,Ausgabe 3Indiana University Press, 2011 |
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Seite 331
... possible to clearly distinguish between imagination and reality , between endogenous animations and exogenous imagistic material . We all are , Bernheim asserted , exposed to illusions and varying sugges- tions from others . 23 As ...
... possible to clearly distinguish between imagination and reality , between endogenous animations and exogenous imagistic material . We all are , Bernheim asserted , exposed to illusions and varying sugges- tions from others . 23 As ...
Seite 344
... possible mode of mourning in the face of nearly complete emotional blockage . Sigmund Freud revolutionized our understanding of mourn- ing by drawing attention to the work accomplished by grief . He considered not only the possible ...
... possible mode of mourning in the face of nearly complete emotional blockage . Sigmund Freud revolutionized our understanding of mourn- ing by drawing attention to the work accomplished by grief . He considered not only the possible ...
Seite 357
... possible , and each one , as soon as it is pro- nounced , leads to the other . The judgment , by presenting a truth , by producing full presence through clear - cut separation , drowns that truth in presence and thereby drowns itself ...
... possible , and each one , as soon as it is pro- nounced , leads to the other . The judgment , by presenting a truth , by producing full presence through clear - cut separation , drowns that truth in presence and thereby drowns itself ...
Inhalt
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Urheberrecht | |
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abstraction Aesthetics Agnès Varda alien animal Antarctic Antarctica Antigone archive Armenian diaspora Armenian diasporic Arnheim become biopolitics body camera catachresis catastrophe Cavarero cinema Corngold Creon Creon's Critique Culture death Derrida diasporic Discourse dissemination double Esposito essay exploration father figure filmmaker flesh folding forget Franz Kafka gender genocide Gilles Deleuze Gleaners gleaning hand horror human hymen hypnosis hypnotic Ibid images International Jacques Derrida Janet judgment Judith Butler Kassabian Kazanjian Kracauer language Lemkin Léonce Perret letter logic means melancholy memory mental Merleau-Ponty metoikos mirror modern mother mourning narrative nature nian Nichanian photograph physical reality Pierre Janet Pinched Cheeks play Pole politics Ponting psychological quotation Raphael Lemkin Rocks of Kador ruins Saint Petersburg screen Sexuality shot Siegfried Kracauer Sigmund Freud slightly green South story Suzanne Theory of Film tion trans traumatic turn University Press vandal Varda violence visible voice-over woman word writing York