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Seite 322
... what distinguishes Kador is the particular position it imagines for cinema in psychological treatment and the picture of memory , trauma , and subjectivity it draws . Discourse , 33.3 , Fall 2011 , pp . 322–341 .
... what distinguishes Kador is the particular position it imagines for cinema in psychological treatment and the picture of memory , trauma , and subjectivity it draws . Discourse , 33.3 , Fall 2011 , pp . 322–341 .
Seite 354
The movement into the upright position marks the mechanism of repression . The head takes its distance from the lower parts of the body , not wanting to be reminded of them ; it reacts with disgust to their smell : “ To put it crudely ...
The movement into the upright position marks the mechanism of repression . The head takes its distance from the lower parts of the body , not wanting to be reminded of them ; it reacts with disgust to their smell : “ To put it crudely ...
Seite 356
... I know , my mischievous little fruit ( mein Früchtchen ) , but I'm far from being covered up yet " ( 56 ) . With the expression " mein Früchtchen , " he reminds the son of his position in the eyes of the law .
... I know , my mischievous little fruit ( mein Früchtchen ) , but I'm far from being covered up yet " ( 56 ) . With the expression " mein Früchtchen , " he reminds the son of his position in the eyes of the law .
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Inhalt
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Urheberrecht | |
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