Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 33,Ausgabe 3Indiana University Press, 2011 |
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Seite 353
... play the role of the supreme signifier who can stand in for and cover up every other figure in the story ( note his fear of being covered up himself ) . He occupies the mother's womb , he replaces Georg's letters with his own , he ...
... play the role of the supreme signifier who can stand in for and cover up every other figure in the story ( note his fear of being covered up himself ) . He occupies the mother's womb , he replaces Georg's letters with his own , he ...
Seite 374
... play , her questions echo from the " rocky vault , " exposing its fragility , breaking its seal , threatening it ... played a central role in creating those diasporas , then how might that violence be mourned without positioning ...
... play , her questions echo from the " rocky vault , " exposing its fragility , breaking its seal , threatening it ... played a central role in creating those diasporas , then how might that violence be mourned without positioning ...
Seite 397
... play eventually ends on a somber and elegiac note , as Varda deliber- ately moves her hand forward to screen her face . What follows this self - effacing gesture is the first of a series of extraordinary “ self- portraits " in which the ...
... play eventually ends on a somber and elegiac note , as Varda deliber- ately moves her hand forward to screen her face . What follows this self - effacing gesture is the first of a series of extraordinary “ self- portraits " in which the ...
Inhalt
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Urheberrecht | |
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abstraction Aesthetics Agnès Varda alien animal Antarctic Antarctica Antigone archive Armenian diaspora Armenian diasporic Arnheim become biopolitics body camera catachresis catastrophe Cavarero cinema Corngold Creon Creon's Critique Culture death Derrida diasporic Discourse dissemination double Esposito essay exploration father figure filmmaker flesh folding forget Franz Kafka gender genocide Gilles Deleuze Gleaners gleaning hand horror human hymen hypnosis hypnotic Ibid images International Jacques Derrida Janet judgment Judith Butler Kassabian Kazanjian Kracauer language Lemkin Léonce Perret letter logic means melancholy memory mental Merleau-Ponty metoikos mirror modern mother mourning narrative nature nian Nichanian photograph physical reality Pierre Janet Pinched Cheeks play Pole politics Ponting psychological quotation Raphael Lemkin Rocks of Kador ruins Saint Petersburg screen Sexuality shot Siegfried Kracauer Sigmund Freud slightly green South story Suzanne Theory of Film tion trans traumatic turn University Press vandal Varda violence visible voice-over woman word writing York