Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 33,Ausgabe 3Indiana University Press, 2011 |
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Seite 308
... once they are ice - locked , the men's other shipboard distractions ( the staged plays , the lec- tures , the singing competitions , etc. ) are absent from this film . Preferring the reign of icy exteriority , Hurley provides no ...
... once they are ice - locked , the men's other shipboard distractions ( the staged plays , the lec- tures , the singing competitions , etc. ) are absent from this film . Preferring the reign of icy exteriority , Hurley provides no ...
Seite 391
... once display and repeat the humble gesture of the glaneuse . This is how she remembers - her own life , the lives of those whom she has loved and with whom she has worked , and the history of cinema , all being woven together in a ...
... once display and repeat the humble gesture of the glaneuse . This is how she remembers - her own life , the lives of those whom she has loved and with whom she has worked , and the history of cinema , all being woven together in a ...
Seite 398
... once more the subject of self - portraiture . Later in The Gleaners and I , another sequence shot in Varda's home , but enveloped by - and enveloping - shots of the natural landscape , further reveals the complexity of her image archive ...
... once more the subject of self - portraiture . Later in The Gleaners and I , another sequence shot in Varda's home , but enveloped by - and enveloping - shots of the natural landscape , further reveals the complexity of her image archive ...
Inhalt
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Urheberrecht | |
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abstraction Aesthetics Agnès Varda alien animal Antarctic Antarctica Antigone archive Armenian diaspora Armenian diasporic Arnheim become biopolitics body camera catachresis catastrophe Cavarero cinema Corngold Creon Creon's Critique Culture death Derrida diasporic Discourse dissemination double Esposito essay exploration father figure filmmaker flesh folding forget Franz Kafka gender genocide Gilles Deleuze Gleaners gleaning hand horror human hymen hypnosis hypnotic Ibid images International Jacques Derrida Janet judgment Judith Butler Kassabian Kazanjian Kracauer language Lemkin Léonce Perret letter logic means melancholy memory mental Merleau-Ponty metoikos mirror modern mother mourning narrative nature nian Nichanian photograph physical reality Pierre Janet Pinched Cheeks play Pole politics Ponting psychological quotation Raphael Lemkin Rocks of Kador ruins Saint Petersburg screen Sexuality shot Siegfried Kracauer Sigmund Freud slightly green South story Suzanne Theory of Film tion trans traumatic turn University Press vandal Varda violence visible voice-over woman word writing York