Discourse, Band 33,Ausgabe 32011 |
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Seite 297
... natural history of the photographic present . This is an odd claim to make for a book that , as Miriam Hansen ... natural history and the nature of nature as it culminates in Theory of Film . Writing in reference to Walter Benjamin ...
... natural history of the photographic present . This is an odd claim to make for a book that , as Miriam Hansen ... natural history and the nature of nature as it culminates in Theory of Film . Writing in reference to Walter Benjamin ...
Seite 299
... natural image , " defined in his essay as an object perceived mechanically and without cognition , one whose subject might become peculiar , like a strange animal , over time . Even landscapes do not escape this desubstantiating gaze ...
... natural image , " defined in his essay as an object perceived mechanically and without cognition , one whose subject might become peculiar , like a strange animal , over time . Even landscapes do not escape this desubstantiating gaze ...
Seite 302
... natural history , " reduced to the hard laws of science , transforms the present into the telos of the past . Or , as Kracauer states , natural history tells us " why that which has occurred actually must have occurred " ( H , 33 ) ...
... natural history , " reduced to the hard laws of science , transforms the present into the telos of the past . Or , as Kracauer states , natural history tells us " why that which has occurred actually must have occurred " ( H , 33 ) ...
Inhalt
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Urheberrecht | |
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abstraction Aesthetics Agnès Varda alien animal Antarctic Antarctica Antigone archive Armenian diaspora Armenian diasporic Arnheim become biopolitics body camera catachresis catastrophe Cavarero cinema Corngold Creon Creon's Critique Culture death Derrida diasporic Discourse dissemination double Esposito essay exploration father figure filmmaker flesh folding forget Franz Kafka gender genocide Gilles Deleuze Gleaners gleaning hand horror human hymen hypnosis hypnotic Ibid images International Jacques Derrida Janet judgment Judith Butler Kassabian Kazanjian Kracauer language Lemkin's Léonce Perret letter logic means melancholy memory mental Merleau-Ponty metoikos mirror modern mother mourning narrative nature nian Nichanian photograph physical reality Pierre Janet Pinched Cheeks play Pole politics Ponting psychological quotation Raphael Lemkin Rocks of Kador ruins Saint Petersburg screen Sexuality shot Siegfried Kracauer Sigmund Freud slightly green South story Suzanne Theory of Film tion trans traumatic turn University Press vandal Varda violence visible voice-over woman word writing York