Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 33,Ausgabe 3Indiana University Press, 2011 |
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Seite 305
... narrative purpose . Then Ponting trains his camera on the spectacular “ grand desolation " of Antarctica itself : the precipitous Ross Ice Shelf ; smoking , looming Mount Erebus ; the glacial formations that at times resemble ruins of a ...
... narrative purpose . Then Ponting trains his camera on the spectacular “ grand desolation " of Antarctica itself : the precipitous Ross Ice Shelf ; smoking , looming Mount Erebus ; the glacial formations that at times resemble ruins of a ...
Seite 306
... narrative film about this expedition . 39 Yet this shift to adventure narrative is paradoxically also the shift away from modern cinema , as Ponting's voice - over narration momentarily gives way to intertitles , and sound cinema ...
... narrative film about this expedition . 39 Yet this shift to adventure narrative is paradoxically also the shift away from modern cinema , as Ponting's voice - over narration momentarily gives way to intertitles , and sound cinema ...
Seite 347
... narrative shifts of the story's free indirect discourse correspond to the intrapsychic prox- imity and slippage between the conscious and the unconscious . 15 In a fashion that is similar to the almost imperceptible shift from the ...
... narrative shifts of the story's free indirect discourse correspond to the intrapsychic prox- imity and slippage between the conscious and the unconscious . 15 In a fashion that is similar to the almost imperceptible shift from the ...
Inhalt
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Urheberrecht | |
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abstraction Aesthetics Agnès Varda alien animal Antarctic Antarctica Antigone archive Armenian diaspora Armenian diasporic Arnheim become biopolitics body camera catachresis catastrophe Cavarero cinema Corngold Creon Creon's Critique Culture death Derrida diasporic Discourse dissemination double Esposito essay exploration father figure filmmaker flesh folding forget Franz Kafka gender genocide Gilles Deleuze Gleaners gleaning hand horror human hymen hypnosis hypnotic Ibid images International Jacques Derrida Janet judgment Judith Butler Kassabian Kazanjian Kracauer language Lemkin Léonce Perret letter logic means melancholy memory mental Merleau-Ponty metoikos mirror modern mother mourning narrative nature nian Nichanian photograph physical reality Pierre Janet Pinched Cheeks play Pole politics Ponting psychological quotation Raphael Lemkin Rocks of Kador ruins Saint Petersburg screen Sexuality shot Siegfried Kracauer Sigmund Freud slightly green South story Suzanne Theory of Film tion trans traumatic turn University Press vandal Varda violence visible voice-over woman word writing York