Discourse, Band 33,Ausgabe 32011 |
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Seite 350
... mean without its anchor in the reality principle of judgment . It means , as we have already begun to see , that one person or character stands in for another and that these replace- ments can't be controlled . Georg impersonates the ...
... mean without its anchor in the reality principle of judgment . It means , as we have already begun to see , that one person or character stands in for another and that these replace- ments can't be controlled . Georg impersonates the ...
Seite 397
... means of an instrument ( stylus , stiletto , phal- lus ) that “ gives ” ( ink , blood , semen ) ? Varda's camera , I claim , will allow us to propose a notion of writing in the digital age that stands before and after inscription : the ...
... means of an instrument ( stylus , stiletto , phal- lus ) that “ gives ” ( ink , blood , semen ) ? Varda's camera , I claim , will allow us to propose a notion of writing in the digital age that stands before and after inscription : the ...
Seite 410
... means , the paradigm of immuniza- tion makes the political body secure by representing itself with and against the other . This " self - immunization ” means the individual willingly submits to outside power and leads Esposito to ...
... means , the paradigm of immuniza- tion makes the political body secure by representing itself with and against the other . This " self - immunization ” means the individual willingly submits to outside power and leads Esposito to ...
Inhalt
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Urheberrecht | |
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abstraction Aesthetics Agnès Varda alien animal Antarctic Antarctica Antigone archive Armenian diaspora Armenian diasporic Arnheim become biopolitics body camera catachresis catastrophe Cavarero cinema Corngold Creon Creon's Critique Culture death Derrida diasporic Discourse dissemination double Esposito essay exploration father figure filmmaker flesh folding forget Franz Kafka gender genocide Gilles Deleuze Gleaners gleaning hand horror human hymen hypnosis hypnotic Ibid images International Jacques Derrida Janet judgment Judith Butler Kassabian Kazanjian Kracauer language Lemkin's Léonce Perret letter logic means melancholy memory mental Merleau-Ponty metoikos mirror modern mother mourning narrative nature nian Nichanian photograph physical reality Pierre Janet Pinched Cheeks play Pole politics Ponting psychological quotation Raphael Lemkin Rocks of Kador ruins Saint Petersburg screen Sexuality shot Siegfried Kracauer Sigmund Freud slightly green South story Suzanne Theory of Film tion trans traumatic turn University Press vandal Varda violence visible voice-over woman word writing York