Im Buch
Ergebnisse 1-3 von 16
Seite 354
The movement into the upright position marks the mechanism of repression . The head takes its distance from the lower parts of the body , not wanting to be reminded of them ; it reacts with disgust to their smell : “ To put it crudely ...
The movement into the upright position marks the mechanism of repression . The head takes its distance from the lower parts of the body , not wanting to be reminded of them ; it reacts with disgust to their smell : “ To put it crudely ...
Seite 397
How can we disarticulate the privileged condensation of writing and inscription as the operation that leaves a mark by means of an instrument ( stylus , stiletto , phallus ) that " gives ” ( ink , blood , semen ) ?
How can we disarticulate the privileged condensation of writing and inscription as the operation that leaves a mark by means of an instrument ( stylus , stiletto , phallus ) that " gives ” ( ink , blood , semen ) ?
Seite 398
... being connoted as feminine and transient : “ [ T ] he portrait painter , " writes Hegel in his Lectures on Aesthetics ( 1835 ) , “ will omit folds of skin and , still more , freckles , pimples , pock - marks , warts etc.
... being connoted as feminine and transient : “ [ T ] he portrait painter , " writes Hegel in his Lectures on Aesthetics ( 1835 ) , “ will omit folds of skin and , still more , freckles , pimples , pock - marks , warts etc.
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Urheberrecht | |
3 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
abstraction already animal Antarctic Antarctica Antigone appears archive argues Armenian become body called camera cinema civilized claim concept Critical Culture death defined Derrida describes double early effect essay exists experience exploration face father feel figure film finally flesh forget Freud gender genocide Georg green hand horror human identity images impression International judgment Kador Kafka kind Kracauer language letter light living logic look loss lost material means memory mental Michigan mother mourning move narrative nature object offers opens original past person photograph physical play Pole politics possibility present questions quotation reality refers reflects relation ruins scene screen seems sense shot South speaks stand story Studies suggestion Theory things thought tion trans turn University Press Varda violence visible woman writing York