Discourse, Band 33,Ausgabe 32011 |
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Seite 359
... hear what he says . By simulating being understood , he almost lends them the ears that can hear . Perhaps his parents won't quite have the ears for it , but Georg gives in a manner where the difference between having and not - having ...
... hear what he says . By simulating being understood , he almost lends them the ears that can hear . Perhaps his parents won't quite have the ears for it , but Georg gives in a manner where the difference between having and not - having ...
Seite 380
... hear words collecting around the table . The adults ' whispering grows louder . I wonder what the excite- ment is . I hear certain words and phrases . Something is happening . I feel the room separate . They are talking about someone ...
... hear words collecting around the table . The adults ' whispering grows louder . I wonder what the excite- ment is . I hear certain words and phrases . Something is happening . I feel the room separate . They are talking about someone ...
Seite 397
... hear Varda's voice - over reciting a verse about “ old age , ” not an enemy , perhaps even a friend : " Still , " she adds , " my hair and my hands keep telling me that the end is near . " The word " hands ” marks an edit that takes us ...
... hear Varda's voice - over reciting a verse about “ old age , ” not an enemy , perhaps even a friend : " Still , " she adds , " my hair and my hands keep telling me that the end is near . " The word " hands ” marks an edit that takes us ...
Inhalt
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Urheberrecht | |
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abstraction Aesthetics Agnès Varda alien animal Antarctic Antarctica Antigone archive Armenian diaspora Armenian diasporic Arnheim become biopolitics body camera catachresis catastrophe Cavarero cinema Corngold Creon Creon's Critique Culture death Derrida diasporic Discourse dissemination double Esposito essay exploration father figure filmmaker flesh folding forget Franz Kafka gender genocide Gilles Deleuze Gleaners gleaning hand horror human hymen hypnosis hypnotic Ibid images International Jacques Derrida Janet judgment Judith Butler Kassabian Kazanjian Kracauer language Lemkin's Léonce Perret letter logic means melancholy memory mental Merleau-Ponty metoikos mirror modern mother mourning narrative nature nian Nichanian photograph physical reality Pierre Janet Pinched Cheeks play Pole politics Ponting psychological quotation Raphael Lemkin Rocks of Kador ruins Saint Petersburg screen Sexuality shot Siegfried Kracauer Sigmund Freud slightly green South story Suzanne Theory of Film tion trans traumatic turn University Press vandal Varda violence visible voice-over woman word writing York