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Seite 336
From that moment , Marie became anesthetic on the left side of her face and lost sight from her left eye . Janet described Marie's case as interesting in that it demonstrated the “ importance of subconscious fixed ideas and the role ...
From that moment , Marie became anesthetic on the left side of her face and lost sight from her left eye . Janet described Marie's case as interesting in that it demonstrated the “ importance of subconscious fixed ideas and the role ...
Seite 397
In this case , the close - up is at once remarkable and discrete for how little it shows of Varda's face ( only her forehead , eyebrows , and hair ) and how much it mobilizes of vision's indirect labor . Varda is combing her hair with ...
In this case , the close - up is at once remarkable and discrete for how little it shows of Varda's face ( only her forehead , eyebrows , and hair ) and how much it mobilizes of vision's indirect labor . Varda is combing her hair with ...
Seite 398
As the wind keeps blowing a long , ruffled scarf over her face , Varda turns the incident into an ironic , poignant statement of purpose : “ That's how I want the portrait . ... Film me in old spotty mirrors and behind scarves .
As the wind keeps blowing a long , ruffled scarf over her face , Varda turns the incident into an ironic , poignant statement of purpose : “ That's how I want the portrait . ... Film me in old spotty mirrors and behind scarves .
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Inhalt
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Urheberrecht | |
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