Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 33,Ausgabe 3Indiana University Press, 2011 |
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Seite 314
... examples ) , points to a grad- ual " decline in visibility , complementary to an increasing surrender of the ... example . Without the intervention of form , photography has the potential to reveal abstraction , and , as such ...
... examples ) , points to a grad- ual " decline in visibility , complementary to an increasing surrender of the ... example . Without the intervention of form , photography has the potential to reveal abstraction , and , as such ...
Seite 320
... example , Arnheim writes that the decrease in visibility ( or decrease in the formative tradition of art ) “ is brought to its logical completion when the materials of the painter are no longer considered as means of representation but ...
... example , Arnheim writes that the decrease in visibility ( or decrease in the formative tradition of art ) “ is brought to its logical completion when the materials of the painter are no longer considered as means of representation but ...
Seite 351
... example , the use of “ a long time ago " and " long- forgotten " in the description of an encounter that , according to an ordinary sense of time , could only have lasted several minutes ? “ A long time ago he had firmly resolved to ...
... example , the use of “ a long time ago " and " long- forgotten " in the description of an encounter that , according to an ordinary sense of time , could only have lasted several minutes ? “ A long time ago he had firmly resolved to ...
Inhalt
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Urheberrecht | |
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abstraction Aesthetics Agnès Varda alien animal Antarctic Antarctica Antigone archive Armenian diaspora Armenian diasporic Arnheim become biopolitics body camera catachresis catastrophe Cavarero cinema Corngold Creon Creon's Critique Culture death Derrida diasporic Discourse dissemination double Esposito essay exploration father figure filmmaker flesh folding forget Franz Kafka gender genocide Gilles Deleuze Gleaners gleaning hand horror human hymen hypnosis hypnotic Ibid images International Jacques Derrida Janet judgment Judith Butler Kassabian Kazanjian Kracauer language Lemkin Léonce Perret letter logic means melancholy memory mental Merleau-Ponty metoikos mirror modern mother mourning narrative nature nian Nichanian photograph physical reality Pierre Janet Pinched Cheeks play Pole politics Ponting psychological quotation Raphael Lemkin Rocks of Kador ruins Saint Petersburg screen Sexuality shot Siegfried Kracauer Sigmund Freud slightly green South story Suzanne Theory of Film tion trans traumatic turn University Press vandal Varda violence visible voice-over woman word writing York