Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 33,Ausgabe 3Indiana University Press, 2011 |
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Seite 392
... dissemination figures that which cannot be the father's " ( la dissemination figure ce qui ne revient pas au père ) ; that is , that which cannot return to , amount to , the inheritance of the father - a dispersal of the sign affecting ...
... dissemination figures that which cannot be the father's " ( la dissemination figure ce qui ne revient pas au père ) ; that is , that which cannot return to , amount to , the inheritance of the father - a dispersal of the sign affecting ...
Seite 404
... dissemination , as dissemination , " in my reading of Varda's digital film , which I consider akin to Loïe Fuller's luminous dance , the dehiscence of being ( flesh ) affirms itself as the winding ( serpentement ) of the vis- ible.37 In ...
... dissemination , as dissemination , " in my reading of Varda's digital film , which I consider akin to Loïe Fuller's luminous dance , the dehiscence of being ( flesh ) affirms itself as the winding ( serpentement ) of the vis- ible.37 In ...
Seite 407
... Dissemination , trans . Barbara John- son ( 1972 ; repr . , Chicago : University of Chicago Press , 1981 ) , 187–316 , quotation on 229. For an account of the debate on Merleau - Ponty's and Derrida's different notions of chiasm , see ...
... Dissemination , trans . Barbara John- son ( 1972 ; repr . , Chicago : University of Chicago Press , 1981 ) , 187–316 , quotation on 229. For an account of the debate on Merleau - Ponty's and Derrida's different notions of chiasm , see ...
Inhalt
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Urheberrecht | |
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abstraction Aesthetics Agnès Varda alien animal Antarctic Antarctica Antigone archive Armenian diaspora Armenian diasporic Arnheim become biopolitics body camera catachresis catastrophe Cavarero cinema Corngold Creon Creon's Critique Culture death Derrida diasporic Discourse dissemination double Esposito essay exploration father figure filmmaker flesh folding forget Franz Kafka gender genocide Gilles Deleuze Gleaners gleaning hand horror human hymen hypnosis hypnotic Ibid images International Jacques Derrida Janet judgment Judith Butler Kassabian Kazanjian Kracauer language Lemkin Léonce Perret letter logic means melancholy memory mental Merleau-Ponty metoikos mirror modern mother mourning narrative nature nian Nichanian photograph physical reality Pierre Janet Pinched Cheeks play Pole politics Ponting psychological quotation Raphael Lemkin Rocks of Kador ruins Saint Petersburg screen Sexuality shot Siegfried Kracauer Sigmund Freud slightly green South story Suzanne Theory of Film tion trans traumatic turn University Press vandal Varda violence visible voice-over woman word writing York