Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 33,Ausgabe 3Indiana University Press, 2011 |
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Seite 303
... reason abandons the beholder . The sec- ond stage , Siskin explains , reestablishes that distance through the processes of representation , narrative , and communication of the Antarctica and Siegfried Kracauer's Cold Love 303.
... reason abandons the beholder . The sec- ond stage , Siskin explains , reestablishes that distance through the processes of representation , narrative , and communication of the Antarctica and Siegfried Kracauer's Cold Love 303.
Seite 304
... communication of the sublime impression , and with it “ the imposition of the codifications of a culture upon nature . " 34 Siskind argues that the specificity of the Antarctic sublime produces the overwhelming sensations of the first ...
... communication of the sublime impression , and with it “ the imposition of the codifications of a culture upon nature . " 34 Siskind argues that the specificity of the Antarctic sublime produces the overwhelming sensations of the first ...
Seite 388
... communication by Tina Bastajian . For the descriptions , see Armenian Film Festival 2004 Program Schedule , www.armenianfilmfestival.org/AFF2004_sched- ule.html ; Hasmik Khalachyan - Cañas and Tamara Karakashian , “ ASO [ Armenian ...
... communication by Tina Bastajian . For the descriptions , see Armenian Film Festival 2004 Program Schedule , www.armenianfilmfestival.org/AFF2004_sched- ule.html ; Hasmik Khalachyan - Cañas and Tamara Karakashian , “ ASO [ Armenian ...
Inhalt
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Urheberrecht | |
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